The Tale of the Spinning WheelBuel, Elizabeth C. Barney (Elizabeth Cynthia Barney)
History
The Tale of the Spinning Wheel
Buel, Elizabeth C. Barney (Elizabeth Cynthia Barney)
Spinning
After the first hackle, six other finer ones were frequently applied,
and the amount of good fibre left after all this hackling, even from a
huge mass of raw material, was very small; but a very large quantity
of linen thread could be spun from this small amount. The fibres
were then sorted according to fineness by a process called “spreading
and drawing.” Now at last the flax was ready for the wheel, and was
wrapped around the distaff; the spinner seated herself at this familiar
implement and spun out a long, even thread from the mass of fibre
on the distaff. This thread she wound on bobbins as she spun it, and
when the bobbins were full, she wound it off on a reel into knots and
skeins. This was the clock-reel, which ticked when a certain number of
strands had been wound in a “knot”; then the spinner would pause and
tie the knot, and if at that moment some ardent admirer were watching
this pretty and graceful occupation, it is not at all likely that the
busy spinster could escape a more tangible proof of his admiration,
for it is written that “He kissed Mistress Polly when the clock-reel
ticked.”
Doubtless John Alden improved his opportunities when he was told to
speak for himself; at least, let us hope that Priscilla did not have to
hint about everything.
It was a good day’s work to spin two skeins of twenty knots each,
every knot having usually forty threads. For this work a woman earned
eight cents a day and her keep. In the valley of Wyoming, where so many
Connecticut families emigrated to meet their terrible doom later on at
the hands of the Indians, a woman was paid six shillings a week for her
labor at spinning.
Before the threads could be woven they had still to pass through a long
and laborious process of bleaching by soaking them in many waters, then
with hot water and ashes over and over again, then in clear water again
for a week, then a final seething, rinsing, beating, washing, drying,
and winding on bobbins, when they were at last ready for the loom.
[Illustration: CLOCK REEL]
Such was the far from simple process of flax-culture and spinning on
the farm: when we remember that wool culture and spinning was scarcely
less laborious, and that the home weaving of both kinds of thread has
not yet been taken into the account, we shall begin to realize what
it meant to the women of ’76 when they voluntarily took oath to wear
naught but homespun, they and their sons and their daughters.
Public-domain text, read in full here on John Shaqi.
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