The Tale of the Spinning WheelBuel, Elizabeth C. Barney (Elizabeth Cynthia Barney)
History
The Tale of the Spinning Wheel
Buel, Elizabeth C. Barney (Elizabeth Cynthia Barney)
Spinning
her spindle a rude stick, on which she wound and twisted the yarn as
her fingers laboriously pulled and shaped it from the flax wrapped
around the trunk. From this distaff of nature it was but a step to the
manufactured distaff of history. This distaff was a staff about three
feet long; the lower end was held between the left arm and the side;
the upper end was wrapped with the material to be spun. The thread was
passed through, and guided by, the fingers of the left hand, and was
drawn and twisted by those of the right, and wound on the suspended
spindle, made so as to be revolved like a top, which completed the
twist by its own impetus and weight. The illustration shows a distaff
of the fifteenth century supported by a rude stand, leaving the left
arm free to hold the spindle. In this slow and simple fashion the
clothing of all the world was spun before the fifteenth century, and
still is spun to-day in many lands. The spinning-wheel simply took
the distaff as it was, and attached a wheel and treadle to revolve the
spindle; and the vast machines of modern industry merely elaborate and
multiply into many spindles this simple device of previous ages. The
principle remains absolutely the same, so much so that we may say that
from tree-trunk to modern factory the methods of preparing and spinning
flax have changed the least of all the industries, the sculptures of
ancient Egypt depicting processes which are easily recognizable as
those practised to-day not only in Egypt, but also by the modern Finn,
Lapp, Norwegian, and Belgian flax-grower. The paintings in the grotto
of El Kab show the pulling, stocking, tying, and rippling of flax just
as it is done in Egypt now; and our own colonists of a hundred years
ago followed precisely the same methods as the Egyptian, who preceded
him in the world’s history by sixty-five hundred years. Pliny’s
description of Egyptian flax-culture and preparation reads like an
account of the labors of our own foremothers; and the walls of ancient
tombs are covered with pictures of the old familiar process. Egyptian
flax went to all parts of the world and occupied a foremost place as
an article of commerce, for linen was the staple fabric for clothing
of all the ancient peoples. Pieces of linen are still found clinging
to skeletons in the tombs of the Chaldeans, and it was the national
dress of the Babylonians and Persians. All who are familiar with the
Bible know the importance accorded to flax and the flax-spinner among
the Hebrews. Joseph did not need to go to Pharaoh to be clothed “in
vestures of fine linen,” if the women of his time were as deft at
spinning as those women of a later day who brought their offerings to
the furnishing of the tabernacle in the wilderness. “All the women that
were wise-hearted did spin with their hands, and brought that which
they had spun, both of blue and of purple and of scarlet and of fine
linen. And all the women whose heart stirred them up in wisdom spun
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account