The Tale of the Spinning WheelBuel, Elizabeth C. Barney (Elizabeth Cynthia Barney)
History
The Tale of the Spinning Wheel
Buel, Elizabeth C. Barney (Elizabeth Cynthia Barney)
Spinning
goat’s hair;” “wise-hearted,” because in them “the Lord put wisdom and
understanding to know how to work all manner of work for the service of
the sanctuary”—guided in their handiwork by the spirit of God, which
fills not only poet and prophet, but artist and artisan as well. What
a hum there must have been in the Israelitish camp as the women set
hands to the spindle and took up the distaff, and the sound of many
feet went through the tents, as they walked back and forth, pulling out
the long threads that were to hang in beautiful fabrics of embroidered
woollen and linen cloth around about the tabernacle! “Thou shalt make
the tabernacle with ten curtains of fine twined linen.... The length
of one curtain shall be eight and twenty cubits, and the breadth of one
curtain four cubits; And thou shalt make curtains of goats’ hair to be
a covering upon the tabernacle: eleven curtains shalt thou make. The
length of one curtain shall be thirty cubits, and the breadth of one
curtain four cubits.” A hanging for the door was also made of “fine
twined linen.” A cubit was about one and eight tenths of a foot: the
amount of laborious spinning represented by those curtains will be
better understood when we see later on the slowness of the process;
and yet so much was sent in that Moses was obliged to give commandment,
saying, “Let neither man nor woman make any more work for the offering
of the sanctuary.” Thus the Hebrew sanctuary of God, the sacred place
of the ark, was built up, in this fifteenth century before Christ, on
the foundations of woman’s labor.
[Illustration: ARACHNE]
Public-domain text, read in full here on John Shaqi.
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