Margaret thus gained the day, but the annoyance she had been subjected to doubtless taught her to be prudent, for although she steadily went on writing, sixteen years elapsed before any more of her poems were published. In the meantime various manuscript copies, some of which are still in existence, were made of them, notably one of the poem called “Débat d’Amour” by Margaret, and re-christened “La Coche” by her secretary, John de la Haye, when he subsequently published it in the _Marguerites de la Marguerite_. This manuscript is enriched with eleven curious miniatures, the last of which represents the Queen handing the volume bound in white velvet (1) to the Duchess of Etampes, her brother’s mistress, whose qualities the poem extols. The Queen of Navarre was on the best of terms with this favourite, to whom in one of her letters she recommends certain servants. Margaret was not only given to versifying, but was fond of’ framing devices, which she inscribed upon her books and furniture. At one time she adopted as her device a marigold turning towards the sun’s rays, with the motto, “Non inferiora secutus,” implying that she turned “all her acts, thoughts, will, and affections towards the great Sun of Justice, God Almighty.” (2) 1 From the Queen’s _Livre de Dépenses_, published by M. de la Ferrière, we learn that this MS., with the miniatures and binding, cost Margaret fifty golden crowns. It was formerly in the possession of M. Jérôme Pichon, and was afterwards acquired by M. Didot, at the sale of whose library it realised £804. The MS. was recently in the possession of M. de La Roche-la-Carelle. 2 Claude Paradin’s _Dévises héroïques_, Lyons, 1557, p. 41. In her _Miroir de l’Ame Pécheresse_, previously referred to, there figures another device composed merely of the three words “Ung pour tout;” and in the manuscript of “La Coche” presented to the Duchess of Etampes, the motto “Plus vous que moys” is inscribed beneath each of the miniatures. Margaret also composed a series of devices for some jewels which her brother presented to his favourite, Madame de Châteaubriant. Respecting these Brantôme tells the following curious anecdote:-- “I have heard say, and hold on good authority, that when King Francis I. had left Madame de Châteaubriant, his favourite mistress, to take Madame d’Etampes, as one nail drives out another, Madame d’Etampes begged the King to take back from the said Madame de Châteaubriant all the finest jewels that he had given her, not on account of their cost and value, for pearls and precious stones were not then so fashionable as they have been since, but for the love of the fine devices that were engraved and impressed upon them; which devices the Queen of Navarre, his sister, had made and composed, for she was a mistress in such matters.