The Tallants of Barton, vol. 2 (of 3) : A tale of fortune and finance — John Shaqi
The Tallants of Barton, vol. 2 (of 3) : A tale of fortune and financeHatton, Joseph
General
The Tallants of Barton, vol. 2 (of 3) : A tale of fortune and finance
Hatton, Joseph
English fiction -- 19th century
The story was wonderfully told: the picture was a poem on canvas--full
of human nature, brimming over with sympathy. As a work of art--for
conception, drawing, perspective colour, it was truly a grand picture;
and Arthur felt his success as he sat before it that morning, when the
sun was shining upon the dead man at Barton Hall.
On the next day, before the picture could hardly be said to be dry,
Arthur had it packed, and he posted with it to London, where he had
arranged for it to be hung at a winter exhibition. Josephs the dealer,
who had previously purchased everything Mr. Phillips chose to let him
have, had heard some whisper about it, and had visited Arthur the
week before; but the artist could not be prevailed upon to show the
picture to anybody but his old housekeeper who had nursed him when
he was a boy, and she had sat before it and cried and sobbed over it
almost heart-broken: then Arthur felt that he had painted a great
picture, and he knew it when he unveiled it again in that long room in
Suffolk-street, Pall Mall, before a small critical company.
In a few hours “Seeking New Homes” was talked of in artistic and
literary society all over London, and when everybody was asking
everybody else if they had seen the new picture, Arthur Phillips drove
down to Paddington and took a ticket for Avonworth.
CHAPTER V.
THE TWO TEMPLES.
The success of Christabel, “the mysterious lady,” in some new business
at the Severntown races, together with the high appreciation which the
working classes exhibited of the tricks of “Momus” and his master,
induced the showman to make a considerable stay at Severntown.
Mr. Henry Bilks, “the only living skeleton extant,” had also made
overtures to Mr. Martin to join him in a permanent winter exhibition,
and, so strangely does one thing influence another, that the
advertisement of Mr. Shuffleton Gibbs played its part in the scheme.
The Temple of Magic had already been removed to the Blue Post’s
Yard, where “the riders” and other companies of public entertainers
usually took their stand; the public had already been addressed in
grandiloquent terms, in very grey ink, on very thin paper; and Mr.
Dibble had solemnly done duty “on the outside” for many nights, when
Mr. Bilks drove to the side-door, (“private entrance, ladies and
gentlemen, at the side, price three pence!”), and without further ado
went behind the magic curtain, and offered to join the wizard for the
winter season, if the wizard would take a shop in some public street,
advertise the exhibition, and conduct it upon something like high-class
principles.
The “living skeleton” had left with the showman copies of various
testimonials, and a copy of the _Slumkey Guardian_. It was in
this latter journal that Martin had spelled out the Loan Office
advertisement, whereupon he dictated to Dibble the terms of a letter
which should be sent to James Marfleeting, Esq.
Public-domain text, read in full here on John Shaqi.
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