The taste of honey : $b The note book of a linguist — John Shaqi
The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
Then the old cathedral bells rang out. But the sea muffled them with
velvet. Night began to come. And the splendor of the sea grew grey.
The mountain tops looked black and lonely as I said good-bye to them,
and veiled with the long floating ribbons of the rain. Three days
later I was in Portugal.
The weather had been rough and stormy. There was rain, mist, and
continued cold. Then suddenly there blossomed out of the mist and the
sea a rich, vari-tinted city—_Lisbon_. The sun began to shine.
It is a city of glowing gardens, narrow streets, whose painted,
stucco dwellings are more than charming—gem-pink, sulphur-yellow,
weary violet. They jostle each other in little square places of
flowers.
Barefoot women go from door to door to sell fish, carried in baskets
upon their heads; slim seminary students in long black, eloquent
capes, move about, statues in ivory and jet. And children and girls
have the charm of Latin youth.
The _Avenida de la Liberdad_—wide, tree and flower bordered, paved in
black and white stone (from which Rio de Janeiro copied Rio Branco),
lined with fanciful, sugar-frosted, gay palaces, is a street of which
all Portuguese are proud. It ranks among the lovely thoroughfares of
the world.
Because cities possess personality, I say that Lisbon is lovable. It
strikes the senses like some forgotten melody of delight. I found
an old buff-colored hotel, with black iron-grilled windows and tall
green doors, set far back in a quaintly old-world garden, facing
a tiny _Praça_, where I wish I could have lingered—and then been
forgotten, and so stayed on forever.
Architecturally speaking, the two loveliest things in Lisbon are the
Tower of Belem and the Convent of San Jerónimo, both tributes to the
great explorer, Vasco da Gama. The pallid, ivory carven surface of
the Convent is not less lovely than the Taj Mahal. It has minarets,
too, from which muezzins might have called. The entire building owns
a kind of perfection.
In one of its little interior chapels, sleep side by side, Vasco da
Gama and the proud poet of Portugal, who wrote in Homeric verse his
history—Camoens. And Camoens was not only poet, but warrior, explorer
and one of the world’s bravest adventurers. Camoens lived many lives,
and all of them were great. The world was his playground. His fiery
spirit, which none own today, longed to give his Emperor continents
for gifts. He is still Portugal’s great poet; the years have not
permitted him to be surpassed.
Public-domain text, read in full here on John Shaqi.
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