[Footnote: _As warmth and moisture_, l. 417. In eodem corpore saepe Altera pars vivit; rudis est pars altera tellus. Quippe ubi temperiem sumpsere humorque calorque, Concipiunt; & ab his oriuntur, cuncta duobus. OVID. MET. l. 1. 430. This story from Ovid of the production of animals from the mud of the Nile seems to be of Egyptian origin, and is probably a poetical account of the opinions of the magi or priests of that country; showing that the simplest animations were spontaneously produced like chemical combinations, but were distinguished from the latter by their perpetual improvement by the power of reproduction, first by solitary, and then by sexual generation; whereas the products of natural chemistry are only enlarged by accretion, or purified by filtration.] Then hand in hand along the waving glades The virgin Sisters pass beneath the shades; Ascend the winding steps with pausing march, And seek the Portico's susurrant arch; Whose sculptur'd architrave on columns borne Drinks the first blushes of the rising morn, Whose fretted roof an ample shield displays, And guards the Beauties from meridian rays. While on light step enamour'd Zephyr springs, And fans their glowing features with his wings, 430 Imbibes the fragrance of the vernal flowers, And speeds with kisses sweet the dancing Hours. Urania, leaning with unstudied grace, Rests her white elbow on a column's base; Awhile reflecting takes her silent stand, Her fair cheek press'd upon her lily hand; Then, as awaking from ideal trance, On the smooth floor her pausing steps advance, Waves high her arm, upturns her lucid eyes, Marks the wide scenes of ocean, earth, and skies; 440 And leads, meandering as it rolls along Through Nature's walks, the shining stream of Song. First her sweet voice in plaintive accents chains The Muse's ear with fascinating strains; Reverts awhile to elemental strife, The change of form, and brevity of life; Then tells how potent Love with torch sublime Relights the glimmering lamp, and conquers Time. --The polish'd walls reflect her rosy smiles, And sweet-ton'd echoes talk along the ailes. 450 END OF CANTO I. ORIGIN OF SOCIETY. CANTO II. REPRODUCTION OF LIFE. CONTENTS.