The Temple of Nature; or, the Origin of Society: A Poem, with Philosophical NotesDarwin, Erasmus
Philosophy
The Temple of Nature; or, the Origin of Society: A Poem, with Philosophical Notes
Darwin, Erasmus
Cosmology -- Poetry; Life -- Origin -- Poetry
In the first part of this scenery was represented Death, and
the destruction of all things; as mentioned in the note on
the Portland Vase in the Botanic Garden. Next the marriage of
Cupid and Psyche seems to have shown the reproduction of
living nature; and afterwards the procession of torches,
which is said to have constituted a part of the mysteries,
probably signified the return of light, and the resuscitation
of all things.
Lastly, the histories of illustrious persons of the early
ages seem to have been enacted; who were first represented by
hieroglyphic figures, and afterwards became the gods and
goddesses of Egypt, Greece, and Rome. Might not such a
dignified pantomime be contrived, even in this age, as might
strike the spectators with awe, and at the same time explain
many philosophical truths by adapted imagery, and thus both
amuse and instruct?]
From this first altar fam'd ELEUSIS stole
Her secret symbols and her mystic scroll;
With pious fraud in after ages rear'd
Her gorgeous temple, and the gods rever'd. 140
--First in dim pomp before the astonish'd throng,
Silence, and Night, and Chaos, stalk'd along;
Dread scenes of Death, in nodding sables dress'd,
Froze the broad eye, and thrill'd the unbreathing breast.
Then the young Spring, with winged Zephyr, leads
The queen of Beauty to the blossom'd meads;
Charm'd in her train admiring Hymen moves,
And tiptoe Graces hand in hand with Loves.
Next, while on pausing step the masked mimes
Enact the triumphs of forgotten times, 150
Conceal from vulgar throngs the mystic truth,
Or charm with Wisdom's lore the initiate youth;
Each shifting scene, some patriot hero trod,
Some sainted beauty, or some saviour god.
III. Now rose in purple pomp the breezy dawn,
And crimson dew-drops trembled on the lawn;
Blaz'd high in air the temple's golden vanes,
And dancing shadows veer'd upon the plains.--
Long trains of virgins from the sacred grove,
Pair after pair, in bright procession move, 160
With flower-fill'd baskets round the altar throng,
Or swing their censers, as they wind along.
The fair URANIA leads the blushing bands,
Presents their offerings with unsullied hands;
Pleas'd to their dazzled eyes in part unshrouds
The goddess-form;--the rest is hid in clouds.
"PRIESTESS OF NATURE! while with pious awe
Thy votary bends, the mystic veil withdraw;
Charm after charm, succession bright, display,
And give the GODDESS to adoring day! 170
So kneeling realms shall own the Power divine,
And heaven and earth pour incense on her shrine.
Public-domain text, read in full here on John Shaqi.
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