The Testimony of the Rocks: or, Geology in Its Bearings on the Two Theologies, Natural and RevealedMiller, Hugh
Philosophy
The Testimony of the Rocks: or, Geology in Its Bearings on the Two Theologies, Natural and Revealed
Miller, Hugh
Bible and geology; Creation; Religion and science
Inspiration is concerned with teaching _religious_
truths, and such facts or occurrences as are connected immediately with
illustrating, or with impressing them on the mind." Thus far Dr. Stuart
and Mr. Penn,--men whose evidence on this special head must be
sufficient to show that it is not merely geologists who have recognized
an _optical_ or _visual_ character in the Mosaic history of creation.
And certainly the inference deduced from the admitted _fact_, that is,
the inference that the optical description must have been founded on a
revelation addressed to the eye,--a revelation by vision,--does seem a
fair and legitimate one. The revelation must have been either a
revelation in words or ideas, or a revelation of scenes and events
pictorially exhibited. Failing, however, to record its own history, it
leaves the student equally at liberty, so far as _external_ evidence is
concerned, to take up either view; while, so far as _internal_ evidence
goes, the presumption seems all in favor of revelation by vision; for,
while no reason can be assigned why, in a revelation by word or idea,
appearances which took place ere there existed a human eye should be
_optically_ described, nothing can be more natural or obvious than that
they should be so described, had they been revealed by vision as a piece
of _eye-witnessing_. It seems, then, at least eminently probable that
such was the mode or form of the revelation in this case, and that he
who saw by vision on the Mount the pattern of the Tabernacle and its
sacred furniture, and in the Wilderness of Horeb the bush burning but
not consumed,--types and symbols of the coming dispensation and of its
Divine Author,--saw also by vision the _pattern_ of those successive
pre-Adamic creations, animal and vegetable, through which our world was
fitted up as a place of human habitation. The _reason_ why the drama of
creation has been _optically_ described seems to be, that it was in
reality _visionally_ revealed.
Public-domain text, read in full here on John Shaqi.
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