Canada -- Emigration and immigration -- Fiction; England -- Fiction; Older couples -- Fiction; Spouses -- Fiction
THE THINGS WHICH BELONG--
_BY THE SAME AUTHOR_
CRUMP FOLK GOING HOME
THE LONELY PLOUGH
THE OLD ROAD FROM SPAIN
BEAUTIFUL END
THE SPLENDID FAIRING
THE TRUMPET IN THE DUST
THE THINGS WHICH
BELONG--
(“_The things which belong unto thy peace_”)
BY
CONSTANCE HOLME
MILLS & BOON, LIMITED
49 RUPERT STREET
LONDON, W.1
_Published 1925_
Made and printed in Great Britain at
_The Mayflower Press, Plymouth_. William Brendon & Son, Ltd.
AUTHOR’S NOTE
The author wishes to say that, in spite of the “local colour” in this
book, the situation between the characters is purely imaginary.
CONTENTS
PAGE
PROLOGUE 9
PART I--HIS 19
PART II--HERS 125
PART III--THEIRS 229
THE THINGS WHICH BELONG--
PROLOGUE
He dropped the pen.... More strictly speaking, it fell as if weighted
from his fingers. He had an extraordinary feeling that he would never
use a pen again.
A flush came into Mattie’s face, but she said nothing. He had always
expected that, if ever this moment arrived,--impossible as it had
seemed that it ever _should_ arrive,--she would meet it with a flood
of joyful speech; but now she was silent. It was the second time this
evening that she had surprised him by her silence,--this wan and weary
early-spring evening which marked the finish of a bleak and soulless
day. Searching vaguely, however, among recollections which had left
impression without form, he remembered that people often did fall
silent at the late fulfilment of a long desire....
Instead of speaking, she sighed. It was such a sigh, he thought, as the
dying give just before they pass on into new life. In that last breath
there is everything that they see before them, and everything that they
leave behind. Mattie’s sigh was like that.
Not that she looked like dying, as she got to her feet at last,
heavily a little, but pushing her chair from her more quietly than
usual, not in the almost rough way she used sometimes, as if the very
furniture of the house clogged and held her ardent spirit. She stood
beside him a moment, looking down at the letter he had just written,
a splendid woman, growing old,--and older in the evenings than in the
mornings,--but still full of vitality and fire. Again he expected her
to break out into some form of expression, either of satisfaction or
relief, but still she said nothing. Sometimes, as he knew, on occasions
of this kind, relief took the form of a recapitulation of past
miseries, and he would not have been surprised if Mattie had shown hers
in that fashion. But dumbness seemed to have fallen upon her. Even her
face had grown strangely inexpressive. There was no hint in it that she
was thinking either of old sorrow or new joy. It was simply blank, as
if it was no longer able to register the workings of the mind that lay
behind it.
Public-domain text, read in full here on John Shaqi.
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