"My sister’s an artist," the elder explained, taking my three one-dollar bills as if their number didn’t matter, but making conversation in order to count them surreptitiously. "She’s a widow, too, Mrs. Leeming. I’m Miss Smith. We’ve had great sorrows. We try not to complain too much, but—" A long-drawn sigh with a quiver in it said the rest, while Mrs. Leeming’s eyes spilled tears with the readiness of a pair of fountain cups. To escape the emotional I returned to my inspection of the landscapes, at which I was destined to gaze for another two years. "Are these studies of—of Italy?" I asked, for the sake of showing appreciation. Mrs. Leeming recovered herself sufficiently to be faintly indignant. "Oh no! I never copy. I work only from imagination. Landscapes just come to me—and all different." Before they left me Miss Smith managed to convey a few of the principles on which they conducted their house. "We’ve three very refined gentlemen at present, two salesmen and a Turkish-bath attendant. One has to be so careful. We almost never take gentlemen who don’t bring reference; but in your case, Mr. Soames—well, one can see." Her wan, suffering smile flickered up for a minute and died down. "There’s a sort of free-masonry, isn’t there? We _have_ taken gentlemen on that, and they’ve never disappointed us." I hoped I should not disappoint them, either. "Now, some young men—well, to put it plainly, if there’s liquor we just have to ask them to look for another room. Tobacco, with gentlemen, one can’t be too severe on. We overlook it, and try not to complain too much. And, of course, only gentlemen visitors—" With my assurance that I should do my utmost to live within their regulations, they were good enough to leave me to my single chair and the fungi. Dropping into the one and staring at the other, it seemed to me that I had reached the uttermost edge of the forlorn. I could bear the extreme modesty of this lodging, seeing that it gave me a shelter from the storm; I could bear being hungry, cold, and wet; I could bear the wall of darkness and blankness that hemmed in not only my future, but my past; what I found intolerable was the sense of being useless. The blows of Fate I could take with some equanimity, but, not to be able to "make good" or to earn a living cut me to the quick in my self-esteem. And yet it was not that which in the end beat me to my knees beside the bed, to bury my head against the counterpane of imitation crochet-work. That was a more primal craving, a need as primal as thirst or the desire for sleep. It was the longing for some sort of human companionship—for the gay toleration of Lydia Blair, or Drinkwater’s cheerfulness, or Mildred Averill’s.... *CHAPTER III*