The Three Cities Trilogy: Lourdes, Volume 1Zola, Émile
Religion
The Three Cities Trilogy: Lourdes, Volume 1
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
Seated in the corner, near the Sister, was Madame de Jonquiere, who had
kept her little bag on her lap. She slowly pulled down the blind. Dark,
and well built, she was still nice-looking, although she had a
daughter, Raymonde, who was four-and-twenty, and whom for motives of
propriety she had placed in the charge of two lady-hospitallers, Madame
Desagneaux and Madame Volmar, in a first-class carriage. For her part,
directress as she was of a ward of the Hospital of Our Lady of Dolours
at Lourdes, she did not quit her patients; and outside, swinging
against the door of her compartment, was the regulation placard bearing
under her own name those of the two Sisters of the Assumption who
accompanied her. The widow of a ruined man, she lived with her daughter
on the scanty income of four or five thousand francs a year, at the
rear of a courtyard in the Rue Vanneau. But her charity was
inexhaustible, and she gave all her time to the work of the Hospitality
of Our Lady of Salvation, an institution whose red cross she wore on
her gown of carmelite poplin, and whose aims she furthered with the
most active zeal. Of a somewhat proud disposition, fond of being
flattered and loved, she took great delight in this annual journey,
from which both her heart and her passion derived contentment.
“You are right, Sister,” she said, “we will organise matters. I really
don’t know why I am encumbering myself with this bag.”
And thereupon she placed it under the seat, near her.
“Wait a moment,” resumed Sister Hyacinthe; “you have the water-can
between your legs—it is in your way.”
“No, no, it isn’t, I assure you. Let it be. It must always be
somewhere.”
Then they both set their house in order as they expressed it, so that
for a day and a night they might live with their patients as
comfortably as possible. The worry was that they had not been able to
take Marie into their compartment, as she wished to have Pierre and her
father near her; however neighbourly intercourse was easy enough over
the low partition. Moreover the whole carriage, with its five
compartments of ten seats each, formed but one moving chamber, a common
room as it were which the eye took in at a glance from end to end.
Between its wooden walls, bare and yellow, under its white-painted
panelled roof, it showed like a hospital ward, with all the disorder
and promiscuous jumbling together of an improvised ambulance. Basins,
brooms, and sponges lay about, half-hidden by the seats. Then, as the
train only carried such luggage as the pilgrims could take with them,
there were valises, deal boxes, bonnet boxes, and bags, a wretched pile
of poor worn-out things mended with bits of string, heaped up a little
bit everywhere; and overhead the litter began again, what with articles
of clothing, parcels, and baskets hanging from brass pegs and swinging
to and fro without a pause.
Public-domain text, read in full here on John Shaqi.
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