The Three Cities Trilogy: Lourdes, Volume 1Zola, Émile
Religion
The Three Cities Trilogy: Lourdes, Volume 1
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
Amidst all this frippery the more afflicted patients, stretched on
their narrow mattresses, which took up the room of several passengers,
were shaken, carried along by the rumbling gyrations of the wheels;
whilst those who were able to remain seated, leaned against the
partitions, their faces pale, their heads resting upon pillows.
According to the regulations there should have been one
lady-hospitaller to each compartment. However, at the other end of the
carriage there was but a second Sister of the Assumption, Sister Claire
des Anges. Some of the pilgrims who were in good health were already
getting up, eating and drinking. One compartment was entirely occupied
by women, ten pilgrims closely pressed together, young ones and old
ones, all sadly, pitifully ugly. And as nobody dared to open the
windows on account of the consumptives in the carriage, the heat was
soon felt and an unbearable odour arose, set free as it were by the
jolting of the train as it went its way at express speed.
They had said their chaplets at Juvisy; and six o’clock was striking,
and they were rushing like a hurricane past the station of Bretigny,
when Sister Hyacinthe stood up. It was she who directed the pious
exercises, which most of the pilgrims followed from small, blue-covered
books.
“The Angelus, my children,” said she with a pleasant smile, a maternal
air which her great youth rendered very charming and sweet.
Then the “Aves” again followed one another, and were drawing to an end
when Pierre and Marie began to feel interested in two women who
occupied the other corner seats of their compartment. One of them, she
who sat at Marie’s feet, was a blonde of slender build and /bourgeoise/
appearance, some thirty and odd years of age, and faded before she had
grown old. She shrank back, scarcely occupying any room, wearing a dark
dress, and showing colourless hair, and a long grief-stricken face
which expressed unlimited self-abandonment, infinite sadness. The woman
in front of her, she who sat on the same seat as Pierre, was of the
same age, but belonged to the working classes. She wore a black cap and
displayed a face ravaged by wretchedness and anxiety, whilst on her lap
she held a little girl of seven, who was so pale, so wasted by illness,
that she scarcely seemed four. With her nose contracted, her eyelids
lowered and showing blue in her waxen face, the child was unable to
speak, unable to give utterance to more than a low plaint, a gentle
moan, which rent the heart of her mother, leaning over her, each time
that she heard it.
“Would she eat a few grapes?” timidly asked the lady, who had hitherto
preserved silence. “I have some in my basket.”
“Thank you, madame,” replied the woman, “she only takes milk, and
sometimes not even that willingly. I took care to bring a bottleful
with me.”
Public-domain text, read in full here on John Shaqi.
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