Francois himself was growing excited, as he thus confessed his faith while strolling along the quiet sunlit garden paths. "The young indeed!" he resumed. "Do people know them? It makes us laugh when we see all sorts of apostles fighting for us, trying to attract us, and saying that we are white or black or grey, according to the hue which they require for the triumph of their particular ideas! The young, the real ones, why, they're in the schools, the laboratories and the libraries. It's they who work and who'll bring to-morrow to the world. It's not the young fellows of dinner and supper clubs, manifestoes and all sorts of extravagances. The latter make a great deal of noise, no doubt; in fact, they alone are heard. But if you knew of the ceaseless efforts and passionate striving of the others, those who remain silent, absorbed in their tasks. And I know many of them: they are with their century, they have rejected none of its hopes, but are marching on to the coming century, resolved to pursue the work of their forerunners, ever going towards more light and more equity. And just speak to them of the bankruptcy of science. They'll shrug their shoulders at the mere idea, for they know well enough that science has never before inflamed so many hearts or achieved greater conquests! It is only if the schools, laboratories and libraries were closed, and the social soil radically changed, that one would have cause to fear a fresh growth of error such as weak hearts and narrow minds hold so dear!" At this point Francois's fine flow of eloquence was interrupted. A tall young fellow stopped to shake hands with him; and Pierre was surprised to recognise Baron Duvillard's son Hyacinthe, who bowed to him in very correct style. "What! you here in our old quarter," exclaimed Francois. "My dear fellow, I'm going to Jonas's, over yonder, behind the Observatory. Don't you know Jonas? Ah! my dear fellow, he's a delightful sculptor, who has succeeded in doing away with matter almost entirely. He has carved a figure of Woman, no bigger than the finger, and entirely soul, free from all baseness of form, and yet complete. All Woman, indeed, in her essential symbolism! Ah! it's grand, it's overpowering. A perfect scheme of aesthetics, a real religion!" Francois smiled as he looked at Hyacinthe, buttoned up in his long pleated frock-coat, with his made-up face, and carefully cropped hair and beard. "And yourself?" said he, "I thought you were working, and were going to publish a little poem, shortly?"