"Oh! the task of creating is so distasteful to me, my dear fellow! A single line often takes me weeks. . . . Still, yes, I have a little poem on hand, 'The End of Woman.' And you see, I'm not so exclusive as some people pretend, since I admire Jonas, who still believes in Woman. His excuse is sculpture, which, after all, is at best such a gross materialistic art. But in poetry, good heavens, how we've been overwhelmed with Woman, always Woman! It's surely time to drive her out of the temple, and cleanse it a little. Ah! if we were all pure and lofty enough to do without Woman, and renounce all those horrid sexual questions, so that the last of the species might die childless, eh? The world would then at least finish in a clean and proper manner!" Thereupon, Hyacinthe walked off with his languid air, well pleased with the effect which he had produced on the others. "So you know him?" said Pierre to Francois. "He was my school-fellow at Condorcet, we were in the same classes together. Such a funny fellow he was! A perfect dunce! And he was always making a parade of Father Duvillard's millions, while pretending to disdain them, and act the revolutionist, for ever saying that he'd use his cigarette to fire the cartridge which was to blow up the world! He was Schopenhauer, and Nietzsche, and Tolstoi, and Ibsen, rolled into one! And you can see what he has become with it all: a humbug with a diseased mind!" "It's a terrible symptom," muttered Pierre, "when through _ennui_ or lassitude, or the contagion of destructive fury, the sons of the happy and privileged ones start doing the work of the demolishers."