Furnace Wood marked the beginning of the chain of hammer ponds below
Holtye Common. For a long time the fields had been sloping eastward,
till at last they dropped into a tangled valley stretching from Old
Surrey Hall to Sweetwoods Farm. Here was a great stillness and a great
solitude--woods, and thick old orchards, with now and then an oast-house
or a chimney struggling up among them. In this valley lay Redpale Farm,
Clay Farm, and Scarlet Farm, all old, alone, forsaken, beside the
gleaming hammer ponds.
The waters of the first pond flashed like a shield through the
half-naked branches of Furnace Wood. Janet's quick eyes saw Quentin
standing by the hedge, and she began to run. She splashed over the
drenched field, climbed the hedge with an agility she owed to a total
disregard for her clothes--and crept warm and panting into his arms, as
he stood there among the drifted leaves.
"Janey," he whispered, kissing her lips and her hair and her wrist wet
with rain, "how I love you ... little Janey sweet."
It pleased Quentin to call her little, though as a matter of fact she
was considerably taller than he. Quentin was a few years younger than
Janey--delicate-looking, and yet thick-set. His face was pale, though
the features were roughly hewn, and his shoulders were so high as to
give him almost the appearance of a hunchback. In spite of this, he
often struck people as handsome in a strange way--which was due,
perhaps, to a certain nobility in the casting of his face, with its
idealistic mouth, strong nose, and great bright eyes, which seemed to be
burning under his heavy brows.
"Janey," he continued, "you're beautiful to-day--you're part of the
evening. There's rain on your hair, and on your cheek, so that when I
kiss it I taste rain--you're brown and red, just like the fields, you're
windswept and rumpled like the woods."
Janey laughed.
"And your teeth gleam like that white pond through the trees."
"You should put that into a poem, Quentin," she said, still laughing,
"it sounds funny in prose."
"Prose! Prose!--as if there could be any prose when you are near!"
Public-domain text, read in full here on John Shaqi.
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