From the use made of De Veer’s name in the “Address to the Reader,” it might at first sight be imagined that Hulsius was in communication with the author, and had his authority for the interpolated passages; though, seeing that Latin and French versions, corresponding strictly with the original Dutch text, were being simultaneously published at Amsterdam, it would certainly be difficult to conceive that De Veer should have lent himself to a work so different in character as this German version. However, on a closer examination, it is apparent that this “Address,” notwithstanding that it is made to bear De Veer’s signature, with the date “Penult. Aprilis Anno 1598,”—which is that of the author’s original Dedication to the States General and other authorities of the United Provinces, of which a translation has been given in pages cxix–cxxii,—is merely made up from that dedication and from the introductory portion of the author’s narrative of the first voyage. And, indeed, Hulsius himself does not pretend to do more than give a translation into German from the original Dutch work; his words being, “Hab ich auch dise drey letzte Schiffarten gegen Mitnacht, so bald sie mir in Niderlandischer sprach zukommĕ, ins hochteutsch versetzt;” so that his use of the author’s name in the way adverted to is manifestly unjustifiable, and in fact nothing better than a fraud on the public. The foregoing specimen of the differences between the two works has purposely been taken from the commencement of the narrative of the second expedition, because we have the independent authority of Linschoten to fall back upon; in whose work nothing is found to warrant the interpolations on the 5th and 12th of July, and whose official description of the vessels composing that expedition—which forms the basis of the statement made in previous pages of the present Introduction,—differs materially from that given by Hulsius. It is scarcely to be doubted that the latter had an authority of some sort for these important variations; though had that authority been at all of an authentic nature, there is no conceivable reason why he should not have referred to it. On a consideration of the whole case, we are inclined to believe that he was desirous of imparting to his production the character of an original work; and hence these variations in the text, and also the fact that most of his illustrations are not copies, but free imitations of the plates in the original Amsterdam editions.