Sanin took a sheet of paper, wrote on it, “Set your mind at rest, dear friend; in three hours’ time I will come to you, and everything shall be explained. I thank you from my heart for your sympathy,” and handed this sheet to Pantaleone. He put it carefully into his side-pocket, and once more repeating “In an hour!” made towards the door; but turning sharply back, ran up to Sanin, seized his hand, and pressing it to his shirt-front, cried, with his eyes to the ceiling: “Noble youth! Great heart! (_Nobil giovanotto! Gran cuore!_) permit a weak old man (_a un vecchiotto!_) to press your valorous right hand (_la vostra valorosa destra!_)” Then he skipped back a pace or two, threw up both hands, and went away. Sanin looked after him … took up the newspaper and tried to read. But his eyes wandered in vain over the lines: he understood nothing. XVIII An hour later the waiter came in again to Sanin, and handed him an old, soiled visiting-card, on which were the following words: “Pantaleone Cippatola of Varese, court singer (_cantante di camera_) to his Royal Highness the Duke of Modena”; and behind the waiter in walked Pantaleone himself. He had changed his clothes from top to toe. He had on a black frock coat, reddish with long wear, and a white piqué waistcoat, upon which a pinchbeck chain meandered playfully; a heavy cornelian seal hung low down on to his narrow black trousers. In his right hand he carried a black beaver hat, in his left two stout chamois gloves; he had tied his cravat in a taller and broader bow than ever, and had stuck into his starched shirt-front a pin with a stone, a so-called “cat’s eye.” On his forefinger was displayed a ring, consisting of two clasped hands with a burning heart between them. A smell of garments long laid by, a smell of camphor and of musk hung about the whole person of the old man; the anxious solemnity of his deportment must have struck the most casual spectator! Sanin rose to meet him. “I am your second,” Pantaleone announced in French, and he bowed bending his whole body forward, and turning out his toes like a dancer. “I have come for instructions. Do you want to fight to the death?” “Why to the death, my dear Signor Cippatola? I will not for any consideration take back my words—but I am not a bloodthirsty person!… But come, wait a little, my opponent’s second will be here directly. I will go into the next room, and you can make arrangements with him. Believe me I shall never forget your kindness, and I thank you from my heart.”