First loves -- Fiction; Man-woman relationships -- Fiction; Russian fiction -- Translations into English
He flung himself on the bed and began thinking of Gemma … but the
conversation of the seconds reached him through the shut door. It was
conducted in the French language; both maltreated it mercilessly, each
after his own fashion. Pantaleone again alluded to the dragoons in
Padua, and Principe Tarbuski; the sub-lieutenant to “_exghizes
léchères_” and “_goups de bistolet à l’amiaple_.” But the old man would
not even hear of any _exghizes_! To Sanin’s horror, he suddenly
proceeded to talk of a certain young lady, an innocent maiden, whose
little finger was worth more than all the officers in the world …
(_oune zeune damigella innoucenta, qu’a elle sola dans soun péti doa
vale piu que tout le zouffissié del mondo!_), and repeated several
times with heat: “It’s shameful! it’s shameful!” (_E ouna onta, ouna
onta_!) The sub-lieutenant at first made him no reply, but presently an
angry quiver could be heard in the young man’s voice, and he observed
that he had not come there to listen to sermonising.
“At your age it is always a good thing to hear the truth!” cried
Pantaleone.
The debate between the seconds several times became stormy; it lasted
over an hour, and was concluded at last on the following conditions:
“Baron von Dönhof and M. de Sanin to meet the next day at ten o’clock
in a small wood near Hanau, at the distance of twenty paces; each to
have the right to fire twice at a signal given by the seconds, the
pistols to be single-triggered and not rifle-barrelled.” Herr von
Richter withdrew, and Pantaleone solemnly opened the bedroom door, and
after communicating the result of their deliberations, cried again:
“_Bravo Russo! Bravo giovanotto!_ You will be victor!”
A few minutes later they both set off to the Rosellis’ shop. Sanin, as
a preliminary measure, had exacted a promise from Pantaleone to keep
the affair of the duel a most profound secret. In reply, the old man
had merely held up his finger, and half closing his eyes, whispered
twice over, _Segredezza_! He was obviously in good spirits, and even
walked with a freer step. All these unusual incidents, unpleasant
though they might be, carried him vividly back to the time when he
himself both received and gave challenges—only, it is true, on the
stage. Baritones, as we all know, have a great deal of strutting and
fuming to do in their parts.
XIX
Public-domain text, read in full here on John Shaqi.
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