English fiction -- 20th century; Short stories, English
“I’ll try,” said the Home Secretary, and went to the telephone.
Eight o’clock struck. The crowd outside chanted with an increasing
volume of sound:
“Will vote the other way.”
A telegram was brought in. It was from the central committee rooms at
Nemesis. “Losing twenty votes per minute,” was its brief message.
Ten o’clock struck. The Prime Minister, the Home Secretary, the Chief
Organiser, and several earnest helpful friends were gathered in the inner
gateway of the prison, talking volubly to Demosthenes Platterbaff, who
stood with folded arms and squarely planted feet, silent in their midst.
Golden-tongued legislators whose eloquence had swayed the Marconi Inquiry
Committee, or at any rate the greater part of it, expended their arts of
oratory in vain on this stubborn unyielding man. Without a band he would
not go; and they had no band.
A quarter past ten, half-past. A constant stream of telegraph boys
poured in through the prison gates.
“Yamley’s factory hands just voted you can guess how,” ran a despairing
message, and the others were all of the same tenour. Nemesis was going
the way of Reading.
“Have you any band instruments of an easy nature to play?” demanded the
Chief Organiser of the Prison Governor; “drums, cymbals, those sort of
things?”
“The warders have a private band of their own,” said the Governor, “but
of course I couldn’t allow the men themselves—”
“Lend us the instruments,” said the Chief Organiser.
One of the earnest helpful friends was a skilled performer on the cornet,
the Cabinet Ministers were able to clash cymbals more or less in tune,
and the Chief Organiser has some knowledge of the drum.
“What tune would you prefer?” he asked Platterbaff.
“The popular song of the moment,” replied the Agitator after a moment’s
reflection.
It was a tune they had all heard hundreds of times, so there was no
difficulty in turning out a passable imitation of it. To the improvised
strains of “I didn’t want to do it” the prisoner strode forth to freedom.
The word of the song had reference, it was understood, to the
incarcerating Government and not to the destroyer of the Albert Hall.
The seat was lost, after all, by a narrow majority. The local Trade
Unionists took offence at the fact of Cabinet Ministers having personally
acted as strike-breakers, and even the release of Platterbaff failed to
pacify them.
The seat was lost, but Ministers had scored a moral victory. They had
shown that they knew when and how to yield.
THE THREAT
Public-domain text, read in full here on John Shaqi.
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