The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.Gomme, Alice Bertha
History
The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
and a Miss Spencer, who lived near Hampton (Middlesex), told me that she
well remembered the May girls singing the first verse of this carol,
using “knots” instead of the more usual word “branch” or “bunch,” and
that she knew the small bunch of May blossom by the name of “knots” of
May, “bringing in knots of May” being a usual expression of children.
The association of May—whether the month, or the flower, or both—with
the game is very strong, the refrain “cold and frosty morning,” “all on
a summer’s morning,” “bright summer’s morning,” “so early in the
morning,” also being characteristic of the early days of May and spring,
and suggests that the whole day from early hours is given up to holiday.
The familiar nursery rhyme given by Halliwell—
Here we come a-piping,
First in spring and then in May,
no doubt also refers to house-to-house visiting of May.
The connection between the May festival and survival in custom of
marriage by capture is well illustrated by a passage from Stubbe’s
_Anatomie of Abuses_, p. 148. He says: “Against May Day, Whitsonday, or
other time, euery Parishe, Towne and Village assemble themselves
together, bothe men women and children, olde and yong, . . . and either
goyng all together or diuidyng themselues into companies, they goe some
to the Woodes and groves where they spend all the night in plesant
pastimes; and in the morning they return bringing with them birch and
branches of trees to deck their assemblies withall . . . and then they
fall to daunce about it like as the heathen people did. . . . I have
heard it credibly reported (and that _viva voce_) by men of great
grauitie and reputation, that of fortie, threescore or a hundred maides
going to the wood ouer night, there haue scaresly the third part of them
returned home againe undefiled.” Herrick’s _Hesperides_ also describes
the festival, and the custom of courting and marriage at the same time.
The tune sung to this game appears to be the same in every version.
END OF VOL. I.
BALLANTYNE PRESS
PRINTED BY BALLANTYNE, HANSON AND CO.
EDINBURGH AND LONDON
Transcriber’s notes:
General:
This eBook is Volume I of a two-volume work. Volume II is available as
ebook number 41728 via the website of Project Gutenberg
(http://www.gutenberg.org/ebooks/41728). Because Volume I was published
in 1894 and Volume II in 1898, there is no symmetry in the references
between the two volumes (for example, Gled Wylie from Volume I does not
refer to Shue-Gled-Wylie from Volume II, whereas Shue-Gled-Wylie does
refer to Gled Wylie).
This eBook contains a number of symbols and characters that may not
display properly, depending on the software used and its settings.
This text follows the original printed work, including inconsistencies.
Inconsistencies include differences in spelling of the names of games
and locations, differences in transcription of dialect, inconsistencies
in lay-out, etc. Where changes were made, these are documented below.
Public-domain text, read in full here on John Shaqi.
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