The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.Gomme, Alice Bertha
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The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
O it’s hame, and it’s hame, and it’s hame, hame, hame,
I think this night I maun gae hame.
One of the opposite party then says—
Ye had better light, and bide a’ night,
And I’ll choose you a bonny ane.
O wha will ye choose, an’ I wi’ you abide?
The fairest and rarest in a’ the country side.
At the same time presenting an unmarried female by name. If the choice
give satisfaction—
I’ll set her up on the bonny pear-tree;
It’s straught and tall, and sae is she;
I wad wake a’ night her love to be.
If the choice do not give satisfaction, from the age of the party—
I’ll set her up i’ the bank dike;
She’ll be rotten ere I be ripe;
The corbies her auld banes wadna pike.
If from supposed want of temper—
I’ll set her up on the high crab-tree;
It’s sour and dour, and sae is she;
She may gang to the mools unkissed by me.
A civil mode of declining is to say—
She’s for another, and no for me;
I thank you for your courtesie.
The same ritual is gone through with respect to one of the other sex; in
which case such rhymes as the following are used:—
I’ll put him on a riddle, and blaw him owre the sea,
Wha’ll buy [Johnie Paterson] for me?
I’ll put him on my big lum head,
And blaw him up wi’ pouther and lead.
Or, when the proposed party is agreeable—
I’ll set him on my table head,
And feed him up wi’ milk and bread.
A refusal must be atoned for by a wadd or forfeit. A piece of money, a
knife, or any little thing which the owner prizes, will serve. When a
sufficient number of persons have made forfeits, the business of
redeeming them is commenced, and generally it is then that the amusement
is greatest. The duty of kissing some person, or some part of the room,
is usually assigned as a means of redeeming one’s wadds. Often for this
purpose a lad has to kiss the very lips he formerly rejected; or, it may
be, he has to kneel to the prettiest, bow to the wittiest, and kiss the
one he loves best before the forfeit is redeemed.—The substance of the
above is from a note in Cromek’s _Remains of Nithsdale and Galloway
Song_, p. 114, who says—In this game formerly young men and women
arranged themselves on each side of the fire, and alternately bestowed
husbands and wives on each other. Carleton’s _Traits and Stories of the
Irish Peasantry_, p. 106, also describes the game without any material
difference.
Another form of this game, practised in Dumfriesshire in the last
century, and perhaps still, was more common. The party are first fitted
each with some ridiculous name, not very easy to be remembered, such as
_Swatter-in-the-Sweet-Milk_, _Butter-Milk-and-Brose_, _the Gray Gled o’
Glenwhargan Craig_, &c. Then all being seated, one comes up, repeating
the following rhymes—
I never stealt Rob’s dog, nor never intend to do,
But weel I ken wha stealt him, and dern’d him in a cleugh,
And pykit his banes bare, bare, bare eneugh!
Wha but——wha but——
Public-domain text, read in full here on John Shaqi.
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