The Tragedies of Seneca: Translated into English Verse, to Which Have Been Appended Comparative Analyses of the Corresponding Greek and Roman Plays, and a Mythological IndexSeneca, Lucius Annaeus
General
The Tragedies of Seneca: Translated into English Verse, to Which Have Been Appended Comparative Analyses of the Corresponding Greek and Roman Plays, and a Mythological Index
Seneca, Lucius Annaeus
Mythology, Classical -- Drama; Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D. -- Translations into English
In one thing, at any rate, the English drama was especially fortunate,
that is, in the fact that its form and its content were so largely
determined by two such remarkable men as Marlowe and Shakespeare. The
conditions in France in the sixteenth century were strikingly similar
to those in England, except for the number of public theaters. M. Petit
de Julleville points out that France as well as England possessed every
item of the motley list of dramatic types enumerated by Polonius;
and he continues: "Rien n'empêchait alors qu'un Shakespeare naquit
en France; les circonstances n'étaient-elles pas merveilleusement
favorables? Mais, en dépit de certaines théories, les grands hommes ne
paraissent pas tout juste au moment où ils sont nécessaires. Il nous
fallait un Shakespeare; il naquit un Alexandre Hardy!"
OEDIPUS
OEDIPUS
DRAMATIS PERSONAE
OEDIPUS King of Thebes; the son, as he supposed, of Polybus, king of
Corinth, and Merope, his wife, but found to be the son of Laius and
Jocasta.
_Jocasta_ Wife and, as the play develops, found to be also the mother
of Oedipus.
_Creon_ Theban prince, brother of Jocasta.
_Tiresias_ A celebrated prophet of Thebes, now old and blind.
_Manto_ His daughter.
_Old Man_ Sent from Corinth to announce to Oedipus the death of Polybus.
_Phorbas_ Head-shepherd of the royal flocks of Thebes.
_Messenger_ Who announces the self-inflicted blindness of Oedipus and
the suicide of Jocasta.
_Chorus_ Of Theban elders.
THE SCENE is laid before the royal palace of Thebes; the play opens in
the early morning of the day within which the tragedy is consummated.
_An oracle once came to Laius, king of Thebes, that he should perish by
his own son's hands. When, therefore, a son was born to him, he gave
the infant to his chief of shepherds to expose on Mount Cithaeron. But
the tenderhearted rustic gave the babe instead to a wandering herdsman
of Polybus, the king of Corinth._
_Years later, a reputed son of Polybus, Oedipus by name, fearing an
oracle which doomed him to slay his father and wed his mother, fled
from Corinth, that so he might escape this dreadful fate. As he fared
northward, he met and slew an old man who imperiously disputed the
narrow way with him. Upon arriving at the Theban land, he read the
riddle of the Sphinx, and so destroyed that monster which Juno had
sent to harass the land which she hated; and for this service, Oedipus
was made the husband of Jocasta, the widowed queen of Laius (who had
recently been slain upon the road), and set upon the vacant throne._
_Now other years have passed, and sons and daughters have been born
to the royal pair. But now a dreadful pestilence afflicts the state.
Oedipus has sent Creon to consult the oracle, to learn the cause and
seek the means of deliverance from the scourge. And while he waits his
messenger's return, the murky dawn still finds him grieving for his
kingdom's wretched plight._
ACT I
Public-domain text, read in full here on John Shaqi.
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