The Tragedies of Seneca: Translated into English Verse, to Which Have Been Appended Comparative Analyses of the Corresponding Greek and Roman Plays, and a Mythological IndexSeneca, Lucius Annaeus
General
The Tragedies of Seneca: Translated into English Verse, to Which Have Been Appended Comparative Analyses of the Corresponding Greek and Roman Plays, and a Mythological Index
Seneca, Lucius Annaeus
Mythology, Classical -- Drama; Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D. -- Translations into English
_Although the play is confined in time to the final day of catastrophe
at Corinth, the background is the whole romantic story of the
Argonauts: how Jason and his hero-comrades, at the instigation of
Pelias, the usurping king of Thessalian Iolchos, undertook the first
voyage in quest of the golden fleece; how, after many adventures, these
first sailors reached the kingdom of Aeëtes who jealously guarded the
fleece, since upon its possession depended his own kingship; how the
three deadly labors were imposed upon Jason before the fleece could
be won--the yoking of the fiery bulls, the contest with the giants
that sprang from the sown serpent's teeth, and the overcoming of the
sleepless dragon that ever guarded the fleece; how, smitten by love of
him, the beautiful, barbaric Medea, daughter of the king, by the help
of her magic aided Jason in all these labors and accompanied him in his
flight; how, to retard her father's pursuit she slew her brother and
scattered his mangled remains in the path as they fled; how again, for
love of Jason, she restored his father to youth and tricked Pelias' own
daughters into slaying their agéd sire; how, for this act, Medea with
her husband were exiled from Thessalia and dwelt in Corinth; how, for
ten happy years, she lived with her husband and two sons in this alien
land, her wild past almost forgotten, her magic untouched._
_But now, Jason has been gradually won away from his wife, and is about
to wed Creüsa, the daughter of Creon, king of Corinth. The wedding
festivities have already begun when the play opens and reveals Medea
invoking all the powers of heaven and hell in punishment of her false
lord._
ACT I
Public-domain text, read in full here on John Shaqi.
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