The Travelling Companions: A Story in ScenesAnstey, F.
General
The Travelling Companions: A Story in Scenes
Anstey, F.
English wit and humor; Voyages and travels -- Humor
PODB. You artful old whistling oyster, _I_ see what you're up to! But
it's no go; she don't want either of us Engadining about after her. It's
Charley Van Stickinthemud's turn now! We've got to go to Nuremberg. You
can't get out of it, after gassing so much about the place. When you've
once decided, you know, it's _final_!
CULCH. (_with dignity_). I am not aware that I _wanted_ to get out of
it. I merely proposed in your----(PODBURY _suddenly explodes_.) What are
you cackling at _now_?
PODB. (_wiping his eyes_). It's the last laugh, old man,--and it's the
best!
[CULCHARD _walks away rapidly, leaving_ PODBURY _in solitary enjoyment
of the joke._ PODBURY'S _mirth immediately subsides into gravity, and he
kicks several unoffending chairs with quite uncalled-for brutality._
CHAPTER VII.
A Dissolution of Partnership.
SCENE--_A Second-Class Compartment on the line between Wurzburg and
Nuremberg._ PODBURY _has been dull and depressed all day, not having
recovered from the parting with_ MISS TROTTER. CULCHARD, _on the
contrary, is almost ostentatiously cheerful._ PODBURY _is intensely
anxious to find out how far his spirits are genuine, but--partly from
shyness, and partly because some of their fellow travellers have been
English--he has hesitated to introduce the subject. At last, however,
they are alone, and he is determined to have it out on the very first
opportunity._
CULCHARD. Abominably slow train, this _Schnell-zug_. I hope we shall get
to Nuremberg before it's too dark to see the general effect.
PODBURY. We're not likely to be in time for _table d'hote_--not that
_I'm_ peckish. (_He sighs._) Wonder whereabouts the--the Trotters have
got to by now, eh?
[_He feels he is getting red, and hums the Garden Scene from_ "_Faust_."
CULCH. (_indifferently_). Oh, let me see--just arriving at St. Moritz, I
expect. Wonderful effect of colour, that is.
[_He indicates the West, where a bar of crimson is flaming between a
belt of firs._
Podb. (_absently_). Oh, wonderful!--where? (_Hums a snatch of a
waltz._) Dum-dum-diddle-um-tum-dum-dum-dum-ty-doodle; dum-dum--I say,
_you_ don't seem particularly cut up?
CULCH. Cut up? Why should I be cut up, my dear fellow?--about what?
[_Before_ PODBURY _can explain, two_ Talkative British Tourists _tumble
up into the compartment, and he has to control his curiosity once
more._
FIRST T. T. Well, I 'ope we're all right _now_, Sam, I'm sure--these
German jokers have chivied us about enough for one journey! (_To_
CULCHARD.) Not in your way, this 'at box, Sir? Don't give yer much space
in these foreign trains. (_They settle down and the train starts._)
Pretty bit o' country along 'ere!--puts me in mind o' the best part o'
Box 'Ill--and I can't say more for it than _that_!
[Illustration: "PUTS ME IN MIND O' THE BEST PART O' BOX 'ILL."]
SECOND T. T. (_a little man with a sandy fringe and boiled-looking
eyes_). What I notice about the country abroad is they don't seem to
'ave no _landmarks_.
Public-domain text, read in full here on John Shaqi.
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