There is sorcery in them, as in us all. Hilda and Solness are, I
believe, the first characters in drama who feel, for an instant, that
they are living in the atmosphere of the soul; and the discovery of
this essential life that exists in them, beyond the life of every day,
comes fraught with terror. Hilda and Solness are two souls to whom
a flash has revealed their situation in the true life. Diverse ways
there are by which knowledge of our fellows may come to us. Two or
three men, perhaps, are seen by me almost daily. For a long time it
is merely by their gestures that I distinguish them, by their habits,
be these of mind or body, by the manner in which they feel, act or
think. But, in the course of every friendship of some duration, there
comes to us a mysterious moment when we seem to perceive the exact
relationship of our friend to the unknown that surrounds him, when
we discover the attitude destiny has assumed towards him. And it is
from this moment that he truly belongs to us. We have seen, once and
for all, the treatment held in store for him by events. We know that
however such a one may seclude himself in the recesses of his dwelling,
in dread lest his slightest movement stir up that which lies in the
great reservoirs of the future, his forethought will avail him nothing,
and the innumerable events that destiny holds in reserve will discover
him wherever he hide, and will knock one after another at his door. And
even so do we know that this other will sally forth in vain in pursuit
of adventure. He will ever return empty-handed. No sooner are our eyes
thus opened than unerring knowledge would seem to spring to life,
self-created, within our soul; and we know with absolute conviction
that the event that seems to be impending over the head of a certain
man will nevertheless most assuredly not reach him.
From this moment a special part of the soul reigns over the friendship
of even the most unintelligent, the obscurest of men. Life has become,
as it were, transposed. And when it happens that we meet one of the
men who are thus known to us, though we do but speak of the snow that
is falling or the women that pass by, something there is in each of us
which nods to the other, which examines and asks its questions without
our knowledge, which interests itself in contingencies and hints at
events that it is impossible for us to understand....
Public-domain text, read in full here on John Shaqi.
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