The treatment of nature in English poetry between Pope and WordsworthReynolds, Myra
History
The treatment of nature in English poetry between Pope and Wordsworth
Reynolds, Myra
English poetry -- History and criticism; Nature in literature
The night came on while we had yet a great part of the way to
go, though not so dark but that we could discern the cataracts
which poured down the hills on one side, and fell into one
general channel that ran with great violence on the other. The
wind was loud, the rain was heavy, and the whistling of the
blast, the fall of the shower, the rush of the cataracts, and
the roar of the torrent, made a nobler chorus of the rough music
of Nature than it had ever been my chance to hear before.
But Johnson’s attitude toward the external world was, on the whole,
the typical classical one, and is well illustrated by his reply to Mr.
Thrale’s attempt to win his admiration of a fine prospect. “Never heed
such nonsense; a blade of grass is always a blade of grass, whether
in one country or another. Let us, if we _do_ talk, talk about
something; men and women are my subjects of inquiry.”
Mr. Bray’s “Tour” has a full map and is written somewhat in the
guide-book style. Industries, architecture, history, family chronicles,
anecdotes, inscriptions, fill up its 135 closely printed folio pages.
There is comparatively little about the scenes through which he
passed. In describing the various estates which he visited pages are
given to house-furnishings for a single paragraph on the grounds. But
these seldom go unnoticed. He dislikes the formal garden. He objects
to the regular cascades at Matlock. He thinks that the conceits in
the water-works at Chatsworth might have been deemed wonderful when
they were made, “but those who have contemplated the waterfalls which
nature exhibits in this country ... will receive little pleasure from
seeing a temporary stream falling down a flight of steps, spouted out
of the mouths of dolphins or dragons, or squirted from the leaves of
a copper tree.” The most extended description is of the gardens at
Stowe, which he praises because, though laid out in the formal style,
their regularity has been broken up and disguised. Mr. Bray also shows
a liking for wild and romantic scenery. He frequently mentions wide
views, and condemns Compton Wyngate because it has no prospect, of
which, he adds, “our ancestors appear to have scarce ever thought.” The
spots he enjoyed most are Matlock High Tor, and wild places on the Dove
and the Derwent, Aysgarth Force in the Ure, and rocky Gordale. He noted
especially waterfalls and rivers. Of the Derwent at Matlock he says:
It is a most romantic and beautiful ride. The river is sometimes
hid behind trees, sometimes it glides smooth and calm, sometimes
a distant fall is heard; here it tumbles over a ledge of rocks
stretching quite across, there it rushes over rude fragments,
torn by storms from the impending masses. Each side, but
particularly the farther one, is bordered by lofty rocks,
generally clothed with wood, in the most picturesque manner.
Public-domain text, read in full here on John Shaqi.
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