Women -- Suffrage -- Great Britain -- Fiction; World War, 1914-1918 -- Great Britain -- Fiction
It was no use trying to explain all this to his father and mother, for
they wouldn't understand it. The more he explained the more he would
seem to them to be a shirker.
He could see what they thought of him. He saw it in their stiff,
reticent faces, in his mother's strained smile, in his sister's silence
when he asked her what she had been doing all day. Their eyes--his
mother's and his sister's eyes--pursued him with the unspoken question:
"Why don't you go and get killed--for England--like other people?"
Still, he could bear these things, for they were visible, palpable; he
knew where he was with them. What he could not stand was that empty
spiritual space between him and Nicky. That hurt him where he was most
vulnerable--in his imagination.
* * * * *
And again, his imagination healed the wound it made.
It was all very well, but if you happened to have a religion, and your
religion was what mattered to you most; if you adored Beauty as the
supreme form of Life; if you cared for nothing else; if you lived,
impersonally, to make Beauty and to keep it alive; and for no other end,
how could you consent to take part in this bloody business? That would
be the last betrayal, the most cowardly surrender.
And you were all the more bound to faithfulness if you were one of the
leaders of a forlorn hope, of the forlorn hope of all the world, of all
the ages, the forlorn hope of God himself.
* * * * *
For Michael, even more than Ellis, had given himself up as lost.
And yet somehow they all felt curiously braced by the prospect. When the
young men met in Lawrence Stephen's house they discussed it with a calm,
high heroism. This was the supreme test: To go on, without pay, without
praise, without any sort of recognition. Any fool could fight; but, if
you were an artist, your honour bound you to ignore the material
contest, to refuse, even to your country, the surrender of the highest
that you knew. They believed with the utmost fervour and sincerity that
they defied Germany more effectually, because more spiritually, by going
on and producing fine things with imperturbability than if they went out
against the German Armies with bayonets and machine-guns. Moreover they
were restoring Beauty as fast as Germany destroyed it.
They told each other these things very seriously and earnestly, on
Friday evenings as they lay about more or less at their ease (but rather
less than more) in Stephen's study.
They had asked each other: "Are _you_ going to fight for your country?"
And Ellis had said he was damned if he'd fight for his country; and
Mitchell had said he hadn't got a country, so there was no point in his
fighting, anyhow; and Monier-Owen that if you could show him a country
that cared for the arts before anything he'd fight for it; but that
England was very far from being that country.
And Michael had sat silent, thinking the same thoughts.
Public-domain text, read in full here on John Shaqi.
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