When he seemed to be going to sleep, he woke up to find thoughts
labouring over his brain, like bees on a hive. Recollections, swift
thoughts, flew in and alighted upon him, as wild geese swing down and
take possession of a pond. Phrases from the opera tyrannized over him;
he played the rhythm with all his blood. As he turned over in this
torture, he sighed, and recognized a movement of the De Beriot concerto
which Helena had played for her last lesson. He found himself watching
her as he had watched then, felt again the wild impatience when she was
wrong, started again as, amid the dipping and sliding of her bow, he
realized where his thoughts were going. She was wrong, he was hasty;
and he felt her blue eyes looking intently at him.
Both started as his daughter Vera entered suddenly. She was a handsome
girl of nineteen. Crossing the room, brushing Helena as if she were a
piece of furniture in the way, Vera had asked her father a question, in
a hard, insulting tone, then had gone out again, just as if Helena had
not been in the room.
Helena stood fingering the score of _Pelléas_. When Vera had gone, she
asked, in the peculiar tone that made Siegmund shiver:
“Why do you consider the music of _Pelléas_ cold?”
Siegmund had struggled to answer. So they passed everything off,
without mention, after Helena’s fashion, ignoring all that might be
humiliating; and to her much was humiliating.
For years she had come as pupil to Siegmund, first as a friend of the
household. Then she and Louisa went occasionally to whatever hall or
theatre had Siegmund in the orchestra, so that shortly the three formed
the habit of coming home together. Then Helena had invited Siegmund to
her home; then the three friends went walks together; then the two went
walks together, whilst Louisa sheltered them.
Helena had come to read his loneliness and the humiliation of his lot.
He had felt her blue eyes, heavily, steadily gazing into his soul, and
he had lost himself to her.
That day, three weeks before the end of the season, when Vera had so
insulted Helena, the latter had said, as she put on her coat, looking
at him all the while with heavy blue eyes: “I think, Siegmund, I cannot
come here any more. Your home is not open to me any longer.” He had
writhed in confusion and humiliation. As she pressed his hand, closely
and for a long time, she said: “I will write to you.” Then she left
him.
Siegmund had hated his life that day. Soon she wrote. A week later,
when he lay resting his head on her lap in Richmond Park, she said:
“You are so tired, Siegmund.” She stroked his face, and kissed him
softly. Siegmund lay in the molten daze of love. But Helena was, if it
is not to debase the word, virtuous: an inconsistent virtue, cruel and
ugly for Siegmund.
“You are so tired, dear. You must come away with me and rest, the first
week in August.”
Public-domain text, read in full here on John Shaqi.
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