Christian art and symbolism; Hunt, William Holman, 1827-1910. Triumph of the Innocents
In succeeding generations fancy decorated the story with many legends,
but although these are often innocent, and even poetic beyond the
ordinary mark of the apocryphal Gospel narratives, they are all avoided
in this conception. Here no legend is taken for authority. The attempt
is to put together the detached links of the story, and I rely only
upon my personal knowledge of the country and climate, acquired by many
years of residence throughout all its seasons, to understand how the
sorrows of that night would be intensified by the angry elements.
The looking back upon a home from which a family is driven by
oppression has ever been regarded as a motive for compassion, and to
this calamity the Holy Family had to submit. The heights to the south
of “Beit Jala”――by some writers recognised as Rama――give an extended
view, the mountains of Moab far away to the east, and the Dead Sea
below, the great plain of Philistia down in the west. A storm thence
seen produces the impression of sublime purpose. The lightning gathers
beyond the great hollow which includes Jericho and the lost Sodom
and Gomorrah, and then wavers, as the fingers of a mighty player
upon the keys of a musical instrument, collecting the errant forces
of the air, and tremulous with dancing flame in the south over the
extending table-land it seems to linger as though searching the plain
of Philistia for its special mark, and there darts down in fury; but
the sword which was to pierce the breast of the mother, “blessed withal
above all women,” was of man’s forging. According to our order of
events the noisy elements would not have endured long, for soon the
peaceful snow followed falling with its wandering flakes. It would be
then that the cry would sound, which St. Matthew quotes Jeremiah to
describe, “In Rama was there a voice heard, lamentation, and weeping
and great mourning, Rachel weeping for her children, and would not be
comforted because they are not.” We are not debarred from thinking that
the mother suffered some of her pain in the wonder natural to humanity,
that the powers of evil should be able thus to prevail over the pure
and the righteous.
Public-domain text, read in full here on John Shaqi.
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