Civilization, Medieval, in literature; Provençal poetry -- History and criticism; Troubadours
It is not to be supposed that the troubadours turned to religious poetry
simply because the Albigeois crusade had raised the religious question.
Purely devotional poetry is found at an earlier period.[29] It appears
at first only sporadically, and some of the greatest troubadours have
left no religious poems that have reached us. The fact is, that the
nature of troubadour poetry and its homage to the married woman were
incompatible with the highest standard of religious devotion. The famous
_alba_ of Guiraut de Bornelh invokes the "glorious king, true light and
splendour, Lord Almighty," for the purpose of praying that the lovers [90]
for whom the speaker is keeping watch may be undisturbed in interchange
of their affections. Prayer for the success of attempted adultery is a
contradiction in terms. For a theory of religion which could regard the
Deity as a possible accomplice in crime, the Church of Southern France
in the twelfth century is to blame: we cannot expect that the
troubadours in general should be more religious than the professional
exponents of religion. On the other hand, poems of real devotional
feeling are found, even from the earliest times: the sensual Count of
Poitiers, the first troubadour known to us, concludes his career with a
poem of resignation bidding farewell to the world, "leaving all that I
love, the brilliant life of chivalry, but since it pleases God, I resign
myself and pray Him to keep me among His own." Many troubadours, as has
been said, ended their lives in monasteries and the disappointments or
griefs which drove them to this course often aroused religious feelings,
regrets for past follies and resolutions of repentance, which found
expression in poetry. Peire d'Auvergne wrote several religious hymns
after his retirement from the world; these are largely composed of
reiterated articles of the Christian faith in metrical form and are as
unpoetical as they are orthodox, Crusade poems and _planhs_ upon the [91]
deaths of famous nobles or patrons are religious only in a secondary
sense. A fine religious _alba_ is ascribed to Folquet of Marseilles--
Vers Dieus, e·l vostre nom e de sancta Maria
m'esvelherai hueimais, pus l'estela del dia
ven daus Jerusalem que' m'ensenha qu'ien dia:
estatz sus e levatz,
senhor, que Dieu amatz!
que·l jorns es aprosmatz
e la nuech ten sa via;
e sia·n Dieus lauzatz
per nos e adoratz,
e·l preguem que·ens don patz
a tota nostra via.
La nuech vai e·l jorns ve
ab elar eel e sere,
e l'alba no's rete
ans ven belh' e complia.
Public-domain text, read in full here on John Shaqi.
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