The troubadours : $b A history of Provençal life and literature in the middle agesHueffer, Francis
History
The troubadours : $b A history of Provençal life and literature in the middle ages
Hueffer, Francis
Provençal poetry -- History and criticism; Troubadours
Another privilege enjoyed by the troubadour, and prized by him much
higher than all those previously mentioned, was the favour of noble
ladies, granted to him as the guerdon of his impassioned song. The
relation between lady and troubadour has been a favourite subject with
writers of history and romance from the early middle ages to the present
time, and it is to be feared that the popularity of Provençal poets rests
quite as much on their love-affairs as on their literary achievements.
From the story of Flamenca previously told and numerous other incidents
to be mentioned in the following pages, the reader may form an idea
of the laxity of morals in those days, especially as regards the
marriage-vow. Considering this moral atmosphere and the free intercourse
of the sexes existing in Provençal society, where the _dueña_ or any
similar institution seems to have been unknown, the frequent occurrence
of a guilty passion between a troubadour and a high-born lady—for
instance, the wife of his protector—is intrinsically but too probable.
But it is nevertheless an undoubted fact, although the old biographers
are by no means prone to acknowledge it, that the homage offered by the
troubadour and accepted by the lady did not necessarily imply guilty
weakness on the part of the latter. This is sufficiently proved by the
attitude of a third and strongly interested party, the husband. In many
instances he thought himself honoured by the eloquent praise lavished
on his wife, and was willing to make allowance for occasional outbursts
of passion mixed with the more conventional terms of distant adoration.
Count Barral de Vaux, the good-natured husband of Azalais, the lady whom
Peire Vidal celebrated under the pseudonym of Vierna, went so far as to
adjust little differences arising between his wife and that eccentric
poet. Count Richard of Poitou also encouraged his sister Mathilda to
accept the homage of Bertran de Born, which seems to establish the
acknowledged possibility of a perfectly innocent relation of the kind
alluded to beyond a doubt. The future King of England would hardly have
exposed a lady of his house to ignominious suspicion for the sake of a
vassal, much as he stood in dread of the dangerous gifts of that vassal.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account