The troubadours : $b A history of Provençal life and literature in the middle agesHueffer, Francis
History
The troubadours : $b A history of Provençal life and literature in the middle ages
Hueffer, Francis
Provençal poetry -- History and criticism; Troubadours
Guillem of Poitiers, the reader will remember, led anything but an
exemplary life. But towards the end of it he repented, and resolved to
atone for his evil ways by a pilgrimage to the Holy Land at the head of
a large army. So important an event in his life and thought the poet
could not let pass in silence. He wrote a song in commemoration of it,
which is a document of deepest interest both as regards its psychological
and its historic import. It betrays a heart loth to leave the world’s
joy and yet urged on to a holy purpose by the sense of a deep necessity
of regeneration. ‘I go into exile,’ he says, ‘and leave behind me my
son surrounded by warfare and fear and danger; for his neighbours are
malevolent men.’ He conjures his cousin and his overlord to take care
of the unprotected boy, who without such help would be lost. He next
bids a sad adieu to knightly splendour and to the joys of love, and in
token of sincere repentance he humbly asks the forgiveness of all whom
he may have offended. The tone of the song is exceedingly sad, and full
of a latent presentiment of death. On the other hand we miss the holy
enthusiasm of the early crusaders. There is no appeal to the faithful, no
proud determination to liberate the Redeemer’s tomb by deeds of valour,
such as abound in similar poems by other troubadours. It has indeed been
doubted whether the song referred to the crusade at all, and not rather
to some shorter pilgrimage or temporary retirement from the world. But
for a minor event of that kind the fear of danger for his son and country
appears too grave, and it seems on the other hand but natural that a
man of Guillem’s temperament and habits should speak of a separation
from the haunts of his pleasure and the scenes of his glory as a dreary
banishment. In his feeling this grief and disappointment would naturally
be uppermost, but all the more worthy of emulation must have been the
example of a resolve which in spite of all this remained unshaken. From
this point of view Count Guillem’s poem holds a prominent place amongst
the songs of the crusade.
Public-domain text, read in full here on John Shaqi.
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