The True George Washington [10th Ed.]Ford, Paul Leicester
History
The True George Washington [10th Ed.]
Ford, Paul Leicester
Generals -- United States -- Biography; Presidents -- United States -- Biography; Washington, George, 1732-1799
How far the portraits of Washington conveyed his expression is open to
question. The quotation already given which said that no picture
accurately resembled him in the minute traits of his person is worth
noting. Furthermore, his expression varied much according to
circumstances, and the painter saw it only in repose. The first time he
was drawn, he wrote a friend, “Inclination having yielded to
Importunity, I am now contrary to all expectation under the hands of
Mr. Peale; but in so grave—so sullen a mood—and now and then under the
influence of Morpheus, when some critical strokes are making, that I
fancy the skill of this Gentleman’s Pencil will be put to it, in
describing to the World what manner of man I am.” This passiveness
seems to have seized him at other sittings, for in 1785 he wrote to a
friend who asked him to be painted, “_In for a penny, in for a Pound_,
is an old adage. I am so hackneyed to the touches of the painter’s
pencil that I am now altogether at their beck; and sit ‘like Patience
on a monument,’ whilst they are delineating the lines of my face. It is
a proof, among many others, of what habit and custom can accomplish. At
first I was as impatient at the request, and as restive under the
operation, as a colt is of the saddle. The next time I submitted very
reluctantly, but with less flouncing. Now, no dray-horse moves more
readily to his thills than I to the painter’s chair.” His aide,
Laurens, bears this out by writing of a miniature, “The defects of this
portrait are, that the visage is too long, and old age is too strongly
marked in it. He is not altogether mistaken, with respect to the
languor of the general’s eye; for altho’ his countenance when affected
either by joy or anger, is full of expression, yet when the muscles are
in a state of repose, his eye certainly wants animation.”
[Illustration: FIRST (FICTITIOUS) ENGRAVED PORTRAIT OF WASHINGTON]
One portrait which furnished Washington not a little amusement was an
engraving issued in London in 1775, when interest in the “rebel
General” was great. This likeness, it is needless to say, was entirely
spurious, and when Reed sent a copy to head-quarters, Washington wrote
to him, “Mrs. Washington desires I will thank you for the picture sent
her. Mr. Campbell, whom I never saw, to my knowledge, has made a very
formidable figure of the Commander-in-chief, giving him a sufficient
portion of terror in his countenance.”
Public-domain text, read in full here on John Shaqi.
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