Authors, English -- 20th century -- Biography; Bennett, Arnold, 1867-1931
"Will you step this way?" said the publisher's manager, and after
coasting by many shelves loaded with scores of copies of the same book
laid flat in piles--to an author the most depressing sight in the
world--I was ushered into the sanctum, the star-chamber, the den, the
web of the spider.
I beheld the publisher, whose name is a household word wherever the
English language is written for posterity. Even at that time his imprint
flamed on the title-pages of one or two works of a deathless nature. My
manuscript lay on an occasional table by his side, and I had the curious
illusion that he was posing for his photograph with my manuscript. As I
glanced at it I could not help thinking that its presence there bordered
on the miraculous. I had parted with it at a post-office. It had been
stamped, sorted, chucked into a van, whirled through the perilous
traffic of London's centre, chucked out of a van, sorted again, and
delivered with many other similar parcels at the publisher's. The
publisher had said: "Send this to So-and-so to read." Then more perils
by road and rail, more risks of extinction and disorientation. Then
So-and-so, probably a curt man, with a palate cloyed by the sickliness
of many manuscripts, and a short way with new authors, had read it or
pretended to read it. Then finally the third ordeal of locomotion. And
there it was, I saw it once more, safe!
We discussed the weather and new reputations. I was nervous, and I think
the publisher was nervous, too. At length, in a manner mysterious and
inexplicable, the talk shifted to my manuscript. The publisher permitted
himself a few compliments of the guarded sort.
"But there's no money in it, you know," he said.
"I suppose not," I assented. ("You are an ass for assenting to that," I
said to myself.)
"I invariably lose money over new authors," he remarked, as if I was to
blame.
"You didn't lose much over Mrs.----," I replied, naming one of his
notorious successes.
"Oh, _well_!" he said, "of course----. But I didn't make so much as you
think, perhaps. Publishing is a very funny business." And then he added:
"Do you think your novel will succeed like Mrs.----'s?"
I said that I hoped it would.
"I'll be perfectly frank with you," the publisher exclaimed, smiling
beneficently. "My reader likes your book. I'll tell you what he says."
He took a sheet of paper that lay on the top of the manuscript and read.
I was enchanted, spell-bound. The nameless literary adviser used phrases
of which the following are specimens (I am recording with exactitude):
"Written with great knowledge and a good deal of insight." "Character
delineated by a succession of rare and subtle touches." "Living,
convincing." "Vigour and accuracy." "The style is good."
I had no idea that publishers' readers were capable of such laudation.
The publisher read on: "I do not think it likely to be a striking
success!"
"Oh!" I murmured, shocked by this bluntness.
Public-domain text, read in full here on John Shaqi.
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