Authors, English -- 20th century -- Biography; Bennett, Arnold, 1867-1931
And if an editor knows not peace, he knows power. In Fleet Street, as in
other streets, the population divides itself into those who want
something and those who have something to bestow; those who are anxious
to give a lunch, and those who deign occasionally to accept a lunch;
those who have an axe to grind and those who possess the grindstone. The
change from the one position to the other was for me at first rather
disconcerting; I could not understand it; there was an apparent
unreality about it; I thought I must be mistaken; I said to myself:
"Surely this unusual ingratiating affability has nothing to do with the
accident that I am an editor." Then, like the rest of the owners of
grindstones, I grew accustomed to the ownership, and cynical withal,
cold, suspicious, and forbidding. I became bored by the excessive
complaisance that had once tickled and flattered me. (Nevertheless,
after I had ceased to be an editor I missed it; involuntarily I
continued to expect it.) The situation of the editor of a ladies' paper
is piquantly complicated, in this respect, by the fact that some women,
not many--but a few, have an extraordinary belief in, and make
unscrupulous use of, their feminine fascinations. The art of being "nice
to editors" is diligently practised by these few; often, I know, with
brilliant results. Sometimes I have sat in my office, with the charmer
opposite, and sardonically reflected: "You think I am revolving round
your little finger, madam, but you were never more mistaken in your
life." And yet, breathes there the man with soul so uniformly cold that
once or twice in such circumstances the woman was not right after all? I
cannot tell. The whole subject, the subject of that strange, disturbing,
distracting, emotional atmosphere of femininity which surrounds the male
in command of a group of more or less talented women, is of a supreme
delicacy. It could only be treated safely in a novel--one of the novels
which it is my fixed intention never to write. This I know and affirm,
that the average woman-journalist is the most loyal, earnest, and
teachable person under the sun. I begin to feel sentimental when I think
of her astounding earnestness, even in grasping the live coal of English
syntax. Syntax, bane of writing-women, I have spent scores of
ineffectual hours in trying to inoculate the ungrammatical sex against
your terrors! And how seriously they frowned, and how seriously I
talked; and all the while the eternal mystery of the origin and destiny
of all life lay thick and unnoticed about us!
These syntax-sittings led indirectly to a new development of my
activities. One day a man called on me with a letter of introduction. He
was a colonial of literary tastes. I asked in what manner I might serve
him.
"I want to know whether you would care to teach me journalism," he said.
Public-domain text, read in full here on John Shaqi.
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