The Truth About Tristrem Varick: A NovelSaltus, Edgar
General
The Truth About Tristrem Varick: A Novel
Saltus, Edgar
Fiction
In a few moments he was at the house. On the stoop a servant was
occupied with the mat.
"Is, eh, did----"
"Yes, sir," the man answered, promptly. "Miss Raritan is in the parlor."
In the surprise at the unexpected, Tristrem left his hat and coat, and
pushing aside the portière, he entered the room unannounced. At first he
fancied that the servant had been mistaken. Miss Raritan was not at her
accustomed place, and he stood at the door-way gazing about in
uncertainty. But in an instant, echoing from the room beyond, he caught
the sound of her voice; yet in the voice was a tone which he had never
heard before--a tone of smothered anger that carried with it the accent
of hate.
Moved by unconscious springs, he left the door-way and looked into the
adjoining room. A man whom at first he did not recognize was standing by
a lounge from which he had presumably arisen. And before him, with both
her small hands clinched and pendent, and in her exquisite face an
expression of relentless indignation, stood Miss Raritan. Another might
have thought them rehearsing a tableau for some theatricals of the
melodramatic order, but not Tristrem. He felt vaguely alarmed: there
came to him that premonition without which no misfortune ever occurs;
and suddenly the alarm changed to bewilderment. The man had turned: it
was Royal Weldon. Tristrem could not credit his senses. He raised his
hand to his head: it did not seem possible that a felon could have told
a more wanton lie than he had been told but little over an hour before;
and yet the teller of that lie was his nearest friend. And still he did
not understand; surely there was some mistake. He would have spoken, but
Weldon crossed the room to where he stood, and with set teeth and
contracted muscles fronted him a second's space, and into his eyes he
looked a defiance that was the more hideous in that it was mute. Then,
with a gesture that almost tore the portière from its rings, he passed
out into the hall and let the curtain fall behind him.
As he passed on Tristrem turned with the obedience of a subject under
the influence of a mesmerist; and when the curtain fell again he started
as subjects do when they awake from their trance.
Public-domain text, read in full here on John Shaqi.
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