The Truth of Christianity: Being an Examination of the More Important Arguments For and Against Believing in That ReligionTurton, W. H. (William Harry)
Religion
The Truth of Christianity: Being an Examination of the More Important Arguments For and Against Believing in That Religion
Turton, W. H. (William Harry)
Apologetics
(1.) Its great improbability: for several reasons.
(2.) Free Will and Foreknowledge not inconsistent; so
the chief argument in its favour cannot be maintained.
Conclusion.
Having decided that the universe had a Creator, we have next to
examine whether the Creator designed the universe. Now by _Design_
is meant any voluntary action, combined with foreknowledge of the
results that will follow from such action. So when the Creator
originated the universe, if He foreknew the results of His action,
it would be to _design_ those results, as the word is here used. And
these include, either directly or indirectly, the whole course of
the universe, everything that exists, or that ever has existed in
the world.
By the word _foreknew_ it is not meant that the Creator necessarily
_thought_ of all future events, however insignificant, such as the
position of the leaves on each tree; but merely that He was able to
foresee any of them He wished, and in this sense foreknew them.
Compare the case of memory; a man may be able to remember a thousand
events in his life; but they are not all before his mind's eye at
the same time, and the insignificant ones may never be. In the same
way the Creator may have been able to foresee all future events in
the world's history without actually thinking about them. At all
events, this is the kind of foresight, or rather foreknowledge,
which is meant to be included in the term _design_.
(_A._) EVIDENCE OF DESIGN.
Passing on now to the evidence of design, this is of the most varied
kind, especially throughout organic nature, where we find countless
objects, which seem to point to the foresight of the Cause which
produced them. The evidence is indeed so vast that it is difficult
to deal with it satisfactorily. Perhaps the best way will be to
follow the well-known _watch_ argument of Paley, first showing by
the example of a watch what it is that constitutes marks of design;
next, how a single organ, say the human eye, possesses these marks;
and then, the cumulative nature of the evidence.
(1.) _The example of a watch._
Now, when we examine a watch, we see that it has marks of design,
because the several parts are put together for a _purpose_. They are
so shaped and arranged as to produce motion, and this motion is so
regulated as to point out the hour of the day. While, if they had
been differently shaped or differently arranged, either no motion at
all would have been produced, or none which would have answered the
same purpose. And from this, we may infer two things. The first is
that the watch had a _maker_ somewhere and at some time; and the
second is that this maker understood its construction, and
_designed_ it for the purpose which it actually serves.
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