England -- Social life and customs -- 20th century -- Fiction; London (England) -- Fiction
Goddess, heroine, or angel she might be (her height, indeed, suggested
heaven rather than hockey). Her beauty was of other days, not of the
Summer Number. She was not, however, to do her justice, intentionally
picturesque. She did not "_go in for the artistic style_"; that is to
say, she did not part her hair and draw it over her ears, wear
oddly-shaped blouses and bead necklaces, and look absent. The iron had
obviously entered into her hair (or into every seventh wave, at least,
of her hair), and her dresses fitted her as a flower its sheath. She was
natural, but not in the least wild; no primrose by a river's brim, nor
an artificial bloom, but rather a hothouse flower just plucked and very
carefully wired. Hence she was at once the despair of the portrait
painters, who had never as yet been able to help making her look on
canvas like a bad Leighton in a Doucet dress, and the joy of the
photographers, who in her honour set aside their pillars and their
baskets of flowers, their curtains and their picture hats, being certain
that she would pose herself exquisitely, and that her lines were so
right that not even a photographer could improve on them.
Sylvia was so truly artistic in temperament and so extremely
unpractical that it was not surprising she made an admirable
housekeeper, having fortunately that inborn gift for organisation, and
for seeing things on the whole, that is so much more important in home
life than any small fussing about the unimportant details. And she would
receive excuses from servants with a smile so sweet yet so incredulous
that it disarmed deceit and made incompetence hide its head (or give
notice).
She came round to the writing-table, bent her head over his shoulder,
and said in a low voice of emotion, as though it were a secret--
"How are you getting on? Did you want me to find anything--an address,
or anything?"
He put his hand on hers and looked up at her. Then he looked away.
"Don't, Sylvia. I wish you would go away. Or go to the other side of the
room ... I can't stand it."
"Oh, Frank! How rude and unkind!" But she was apparently not offended,
as she blushed and smiled while she moved a little away. Then she said,
looking at the cards--
"Will the party be awful, do you think?"
"No, it won't be bad. Except for me, of course. To see you talking to
other people. Not that I really care, because I know you have to. And
besides, you won't, will you?"
"I promise I won't! I'll just be a hostess, and talk to old ladies, or
stray girls, or perhaps just a few dull old married men."
"I approve of that programme. But--of course I have no right to advise,
and I may be entirely wrong--supposing you were to leave out the old
married men? You will have to talk to all the clever young men, I am
afraid. Don't go to supper with F. G. Rivers. That's all I ask. I
couldn't bear it."
Public-domain text, read in full here on John Shaqi.
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