Philippe, prompted by mercenary motives, proposed to Mariette that she
should marry him; but she, knowing herself on the eve of an engagement
at the Grand Opera, refused the offer, either because she guessed the
colonel’s motive, or because she saw how important her independence
would be to her future fortune. For the remainder of this year, Philippe
never came more than twice a month to see his mother. Where was he?
Either at his office, or the theatre, or with Mariette. No light
whatever as to his conduct reached the household of the rue Mazarin.
Giroudeau, Finot, Bixiou, Vernou, Lousteau, saw him leading a life of
pleasure. Philippe shared the gay amusements of Tullia, a leading
singer at the Opera, of Florentine, who took Mariette’s place at the
Porte-Saint-Martin, of Florine and Matifat, Coralie and Camusot.
After four o’clock, when he left his office, until midnight, he amused
himself; some party of pleasure had usually been arranged the night
before,--a good dinner, a card-party, a supper by some one or other of
the set. Philippe was in his element.
This carnival, which lasted eighteen months, was not altogether without
its troubles. The beautiful Mariette no sooner appeared at the Opera, in
January, 1821, than she captured one of the most distinguished dukes of
the court of Louis XVIII. Philippe tried to make head against the
peer, and by the month of April he was compelled by his passion,
notwithstanding some luck at cards, to dip into the funds of which he
was cashier. By May he had taken eleven hundred francs. In that fatal
month Mariette started for London, to see what could be done with
the lords while the temporary opera house in the Hotel Choiseul, rue
Lepelletier, was being prepared. The luckless Philippe had ended,
as often happens, in loving Mariette notwithstanding her flagrant
infidelities; she herself had never thought him anything but a
dull-minded, brutal soldier, the first rung of a ladder on which she
had never intended to remain long. So, foreseeing the time when Philippe
would have spent all his money, she captured other journalistic support
which released her from the necessity of depending on him; nevertheless,
she did feel the peculiar gratitude that class of women acknowledge
towards the first man who smooths their way, as it were, among the
difficulties and horrors of a theatrical career.
Public-domain text, read in full here on John Shaqi.
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