Forced to let his terrible mistress go to London without him, Philippe
went into winter quarters, as he called it,--that is, he returned to
his attic room in his mother’s _appartement_. He made some gloomy
reflections as he went to bed that night, and when he got up again. He
was conscious within himself of the inability to live otherwise than as
he had been living the last year. The luxury that surrounded Mariette,
the dinners, the suppers, the evenings in the side-scenes, the animation
of wits and journalists, the sort of racket that went on around him,
the delights that tickled both his senses and his vanity,--such a life,
found only in Paris, and offering daily the charm of some new thing, was
now more than habit,--it had become to Philippe as much a necessity as
his tobacco or his brandy. He saw plainly that he could not live without
these continual enjoyments. The idea of suicide came into his head; not
on account of the deficit which must soon be discovered in his accounts,
but because he could no longer live with Mariette in the atmosphere
of pleasure in which he had disported himself for over a year. Full
of these gloomy thoughts, he entered for the first time his brother’s
painting-room, where he found the painter in a blue blouse, copying a
picture for a dealer.
“So that’s how pictures are made,” said Philippe, by way of opening the
conversation.
“No,” said Joseph, “that is how they are copied.”
“How much do they pay you for that?”
“Eh! never enough; two hundred and fifty francs. But I study the manner
of the masters and learn a great deal; I found out the secrets of their
method. There’s one of my own pictures,” he added, pointing with the end
of his brush to a sketch with the colors still moist.
“How much do you pocket in a year?”
“Unfortunately, I am known only to painters. Schinner backs me; and
he has got me some work at the Chateau de Presles, where I am going in
October to do some arabesques, panels, and other decorations, for which
the Comte de Serizy, no doubt, will pay well. With such trifles and with
orders from the dealers, I may manage to earn eighteen hundred to two
thousand francs a year over and above the working expenses. I shall send
that picture to the next exhibition; if it hits the public taste, my
fortune is made. My friends think well of it.”
“I don’t know anything about such things,” said Philippe, in a subdued
voice which caused Joseph to turn and look at him.
“What is the matter?” said the artist, seeing that his brother was very
pale.
“I should like to know how long it would take you to paint my portrait?”
“If I worked steadily, and the weather were clear, I could finish it in
three or four days.”
“That’s too long; I have only one day to give you. My poor mother loves
me so much that I wished to leave her my likeness. We will say no more
about it.”
“Why! are you going away again?”
“I am going never to return,” replied Philippe with an air of forced
gayety.
Public-domain text, read in full here on John Shaqi.
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