The Two Lovers of Heaven: Chrysanthus and Daria: A Drama of Early Christian RomeCalderón de la Barca, Pedro
Religion
The Two Lovers of Heaven: Chrysanthus and Daria: A Drama of Early Christian Rome
Calderón de la Barca, Pedro
Christian martyrs -- Italy -- Rome -- Drama
"At the same time", says Sir F. H. Doyle, "Dr. Lorinzer's knowledge of
his subject is so profound, and his appreciation of his favourite author
so keen, that for me, who am almost entirely unacquainted with this
branch of literature, formally to oppose his views, would be an act of
presumption, of which I am, as I trust, incapable. I may, however,
perhaps be permitted to observe, that with regard to the few pieces of
this kind which in an English dress I have read, whilst I think them not
only most ingenious but also surprisingly beautiful, they do not strike
me as incomprehensible at all. We must accept them, of course, as
coming from the mind of a devout Catholic and Spanish gentleman, who
belongs to the seventeenth century; but when once that is agreed upon,
there are no difficulties greater than those which we might expect to
find in any system of poetry so remote from our English habits of
thought. There is, for instance, the Divine Philothea, in other words,
our human spirit considered as the destined bride of Christ. This
sacred drama, we may well call it the swan-song of Calderon's extreme
old age, is steeped throughout in a serene power and a mellow beauty of
style, making it not unworthy to be ranked with that Oedipus Colonaeus
which glorified the sun-set of his illustrious predecessor: but yet,
Protestant as I am, I cannot discover that it is in the least obscure.
Faith, Hope, Charity, the Five Senses, Heresy, Judaism, Paganism,
Atheism, and the like, which in inferior hands must have been mere lay
figures, are there instinct with a dramatic life and energy such as
beforehand I could hardly have supposed possible. Moreover, in spite of
Dr. Lorinzer's odd encomiums, each allegory as it rises is more neatly
rounded off, and shows a finer grain, than any of the personifications
of Spenser; so that the religious effect and the theological effect
intended by the writer, are both amply produced--yes, produced upon us,
his heretical admirers. Hence, even if there be mysterious treasures of
beauty below the surface, to which we aliens must remain blind for ever,
this expression, which broke from the lips of one to whom I was eagerly
reading [Mr. Mac-Carthy's translation of] the play, 'Why, in the
original this must be as grand as Dante', tends to show that such merits
as do come within our ken are not likely to be thrown away upon any
fair-minded Protestant. Dr. Newman, as a Catholic, will have entered, I
presume, more deeply still into the spirit of these extraordinary
creations; his life, however, belongs to a different era and to a
colder people. And thus, however much he may have been directed to the
choice of a subject by the old Mysteries and Moralities (of which these
Spanish Autos must be taken as the final development and bright
consummate flower), he has treated that subject, when once undertaken by
him, entirely from his own point of view. 'Gerontius' is meant to be
studied and dwelt upon by the meditative reader.
Public-domain text, read in full here on John Shaqi.
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