With two suitors, one of whom at least she found markedly attractive,
courting her at the same moment, Elaine should have had reasonable cause
for being on good terms with the world, and with herself in particular.
Happiness was not, however, at this auspicious moment, her dominant mood.
The grave calm of her face masked as usual a certain degree of grave
perturbation. A succession of well-meaning governesses and a plentiful
supply of moralising aunts on both sides of her family, had impressed on
her young mind the theoretical fact that wealth is a great
responsibility. The consciousness of her responsibility set her
continually wondering, not as to her own fitness to discharge her
“stewardship,” but as to the motives and merits of people with whom she
came in contact. The knowledge that there was so much in the world that
she could buy, invited speculation as to how much there was that was
worth buying. Gradually she had come to regard her mind as a sort of
appeal court before whose secret sittings were examined and judged the
motives and actions, the motives especially, of the world in general. In
her schoolroom days she had sat in conscientious judgment on the motives
that guided or misguided Charles and Cromwell and Monck, Wallenstein and
Savonarola. In her present stage she was equally occupied in examining
the political sincerity of the Secretary for Foreign Affairs, the
good-faith of a honey-tongued but possibly loyal-hearted waiting-maid,
and the disinterestedness of a whole circle of indulgent and flattering
acquaintances. Even more absorbing, and in her eyes, more urgently
necessary, was the task of dissecting and appraising the characters of
the two young men who were favouring her with their attentions. And
herein lay cause for much thinking and some perturbation. Youghal, for
example, might have baffled a more experienced observer of human nature.
Elaine was too clever to confound his dandyism with foppishness or
self-advertisement. He admired his own toilet effect in a mirror from a
genuine sense of pleasure in a thing good to look upon, just as he would
feel a sensuous appreciation of the sight of a well-bred, well-matched,
well-turned-out pair of horses. Behind his careful political flippancy
and cynicism one might also detect a certain careless sincerity, which
would probably in the long run save him from moderate success, and turn
him into one of the brilliant failures of his day. Beyond this it was
difficult to form an exact appreciation of Courtenay Youghal, and Elaine,
who liked to have her impressions distinctly labelled and pigeon-holed,
was perpetually scrutinising the outer surface of his characteristics and
utterances, like a baffled art critic vainly searching beneath the
varnish and scratches of a doubtfully assigned picture for an
enlightening signature. The young man added to her perplexities by his
deliberate policy of never trying to show himself in a favourable light
Public-domain text, read in full here on John Shaqi.
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