The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
Today Pat came into the canteen with a newspaper clipping and a letter
to show me. The letter was from the Chief of Police of K——, one of the
many cities in which Pat has resided during his short but crowded life,
the clipping from the K—— Daily Sheet. The clipping was comprised of a
letter which Pat had written to the Chief of Police giving in humorous
phrase his version of life in France and an accompanying paragraph
stating that though the writer had given the police force no little
anxiety during his residence in K——, still he had been in spite of all,
a good-hearted and likable rascal, and now that he had gone to war for
his country, bygones should be bygones and K—— must be proud of him. The
letter from the Chief was in much the same vein.
“Yes,” ruminated Pat; “I kept the old feller pretty busy, though me an’
him were friends just the same. But it sure would get the old man’s
goat, just after he’d had me up and fined me, to come home and see me
settin’ at his dinner-table alongside of his pretty daughter.”
Bourmont, December 14.
Because it took too much time right in the most important part of the
day to climb Bourmont Hill for mess at night, I have arranged to take my
suppers with two little old ladies here in Saint Thiebault. The suppers
are to consist of a bowl of cocoa and a slice of bread with jam. The
little ladies supply the bread and milk for the cocoa and I supply the
rest, paying them one franc a day.
At half-past five I put on my things, light my little candle-lantern and
set forth. The boys, coming in after mess, will be crowding the hut; a
chorus of anxious voices queries.
“You’re comin’ back sure, ain’t you?”
And, “What time is that hot chocolate goin’ to be ready?”
I pick my way down the slippery duck-boards to the highway. Trudging
along the muddy road, friendly voices hail me from the dark. I am known
by the little light I carry. At number two Rue Dieu I rap and enter,
trying desperately to leave some of the mud from my boots on the
door-step, for in this land of wooden shoes scrapers are as unknown as
they are unnecessary. Once inside I have to fairly strain my eyes in
order to be able to see anything, for all the light in the room is
supplied by the embers on the hearth and one tiny gasolene lamp with a
flame not much bigger than the point of a lead pencil. Kerosene is
unobtainable for civilian use; the price of candles is prohibitive.
“_C’est la guerre. Cest la misère_,” say the little old ladies. “One
must sit in the dark—“_Cest triste comme ça._”
My candle doubles the illumination, yet in spite of that, so strong is
the instinct for economy, they will not rest easy until they have blown
it out.
Public-domain text, read in full here on John Shaqi.
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