The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
Paint is used very largely, the three principal colors being black,
white, and red. With these three tints they contrive to produce a
variety of effect on their faces, that is only to be rivalled by the
fancy displayed in their hair-dressing. Sometimes the face is all
scarlet with the exception of the nose, which is black, and sometimes
the face is divided like a quartered heraldic shield, and painted red
and black, or white, red, and black in the different quarterings. Some
men will have one side of the face black and the other white, while
others paint their countenances black as far as the nose, and finish
them off with white.
Reversing the first-mentioned pattern, the Fijian dandy will
occasionally paint his face black and his nose red, or will have a
black face, a white nose, a scarlet ring round each eye, and a white
crescent on the forehead. Sometimes he will wear a white face covered
with round scarlet spots like those on a toy horse; or will substitute
for the round spots a large patch on each cheek and another round the
mouth, just like the face of a theatrical clown.
Some very curious effects are produced by lines. A white face with a
single broad black stripe from the forehead to the chin has a very
remarkable appearance, and so has a face of which one side is painted
longitudinally with black stripes on a white ground, and the other
half with transverse stripes of the same colors. A similar pattern
is sometimes produced with black upon red. Perhaps the oddest of all
the patterns is formed by painting the face white, and upon the white
drawing a number of undulating lines from the forehead downward, the
lines crossing each other so as to form a sort of rippling network over
the face.
So much for the dress of the men. That of the women is different in
every way. Though possessing the same kind of stiff, wiry, profuse
hair as the men, they do not trouble themselves to weave it into such
fantastic designs, but mostly content themselves with combing it out so
as to project as far as possible on every side. Sometimes they twist it
into a series of locks, which are allowed to fall on the head merely at
random, like the thrums of a mop.
Public-domain text, read in full here on John Shaqi.
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