The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
The pigment used in tattooing is made from the resin of the kauri pine,
and the greater part of it is made at one spot, where the tree grows
plentifully. There is a rocky precipice, and a little distance from its
edge a deep and narrow pit is sunk. A channel is cut through the face
of the cliff into the pit, and the apparatus is complete. When a native
wishes to make a supply of tattooing pigment, he cuts a quantity of
kauri wood, places it in the pit, and sets fire to it, thus causing the
burnt resin to fall to the bottom of the pit, whence it is scraped out
through the channel.
Scarlet paint is much employed by the natives, especially when they
decorate themselves for battle. It is obtained from an ochreous
substance which is deposited in many places where water has been
allowed to become stagnant. Some spots are celebrated for the
excellence of the ochre, and the natives come from great distances to
procure it. When they wish to make their scarlet paint, they first
carefully dry and then burn the ochre; the result of which operation
is, that a really fine vermilion is obtained.
This paint is used for many purposes, and before being used it is mixed
with oil obtained from the shark. The natives are fond of decorating
their houses with it, and by means of the scarlet lines increase,
according to their own ideas, the beauty of the carved work with which
every available point is adorned. Even their household goods are
painted after a similar manner, the fashionable mode being to paint all
the hollows scarlet, and the projecting portions black. Their canoes
and wooden ornaments are profusely adorned with red paint. But the most
valued use of this pigment is the part which it plays in the decoration
of a warrior when he goes to battle.
In such cases paint constitutes the whole of his costume, the mats in
which he takes so great a pride in time of peace being laid aside, many
warriors being perfectly naked, and with the others the only covering
of any kind being a belt made of plaited leaves.
One of these belts in my collection is seven feet in length, and only
three and a half inches wide in the broadest part; while at either end
it diminishes to a mere plaited thong. It is folded fourfold, and on
opening it the mode of construction is plainly seen; all the loose ends
being tucked inside.
The material is phormium leaf cut into strips an inch in width, each
alternate strip being dyed black. Each strip is then divided into eight
little strips or thongs, and they are so plaited as to produce an
artistic checkered pattern of black and white. The ingenuity in forming
so elaborate a pattern with so simple a material is extreme; and, as
if to add to the difficulty of his task, the dusky artist has entirely
changed the pattern at either end of the belt, making it run at right
angles to the rest of the fabric. The belt is also used in lieu of
clothing when the men are engaged in paddling a canoe.
Public-domain text, read in full here on John Shaqi.
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