The Uncollected Writings of Thomas de Quincey, Vol. 2: With a Preface and Annotations by James HoggDe Quincey, Thomas
General
The Uncollected Writings of Thomas de Quincey, Vol. 2: With a Preface and Annotations by James Hogg
De Quincey, Thomas
English literature
Here is a monstrous quantity of work to throw upon any two words in any
possible language. Even Shakspere's clown,[9] when challenged to furnish
a catholic answer applicable to all conceivable occasions, cannot do it
in less than nine letters--namely, _Oh lord, sir_. I, for my part,
satisfied that the existing form of _Heu taceo_ was mere indictable and
punishable nonsense, but yet that this nonsense must enter as chief
element into the stinging sense of Lamia, gazed for I cannot tell how
many weeks at these impregnable letters, viewing them sometimes as a
fortress that I was called upon to escalade, sometimes as an anagram
that I was called upon to re-organise into the life which it had lost
through some dislocation of arrangement. Finally the result in which I
landed, and which fulfilled all the conditions laid down was this:--Let
me premise, however, what _at any rate_ the existing darkness attests,
that some disturbance of the text must in some way have arisen; whether
from the gnawing of a rat, or the spilling of some obliterating fluid at
this point of some critical or unique MS. It is sufficient for us that
the vital word has survived. I suppose, therefore, that Lamia had
replied to the friend who praised the sweetness of his voice, 'Sweet is
it? Ah, would to Heaven it might prove Orpheutic.' Ominous in this case
would be the word Orpheutic to the ears of Domitian: for every
school-boy knows that this means a _wife-revoking voice_. But first let
me remark that there is such a legitimate word as _Orpheutaceam_: and in
that case the Latin repartee of Lamia would stand thus--_Suavem dixisti?
Quam vellem et Orpheutaceam_. But, perhaps, reader, you fail to
recognise in this form our old friend _Heu taceo_. But here he is to a
certainty, in spite of the rat: and in a different form of letters the
compositor will show him, up to you as--_vellem et Orp_. [HEU TACEAM].
Possibly, being in good humour, you will be disposed to wink at the
seemingly surreptitious AM, though believing the real word to be
_taceo_. Let me say, therefore, that one reading, I believe, gives
_taceam_. Here, then, shines out at once--(1) Eurydice the lovely wife;
(2) detained by the gloomy tyrant Pluto; (3) who, however, is forced
into surrendering her to her husband, whose voice (the sweetest ever
known) drew stocks and stones to follow him, and finally his wife; (4)
the word Orpheutic involves an alarming threat, showing that the hope of
recovering the lady still survived; (5) we have involved in the
restoration all the eight, or perhaps nine, letters of the erroneous
form.
[9] In _All's Well that Ends Well_.
HOW TO WRITE ENGLISH.[10]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account