Among world-wide objects of speculation, objects rising to the dignity of a mundane or cosmopolitish value, which challenge at this time more than ever a growing intellectual interest, is the English language. Why particularly at this time? Simply, because the interest in that language rests upon two separate foundations: there are two separate principles concerned in its pretensions; and by accident in part, but in part also through the silent and inevitable march of human progress, there has been steadily gathering for many years an interest of something like sceptical and hostile curiosity about each of these principles, considered as problems open to variable solutions, as problems already viewed from different national centres, and as problems also that press forward to some solution or other with more and more of a clamorous emphasis, in proportion as they tend to consequences no longer merely speculative and scholastic, but which more and more reveal features largely practical and political. The two principles upon which the English language rests the burden of its paramount interest, are these:--first, its powers, the range of its endowments; secondly, its apparent destiny. Some subtle judges in this field of criticism are of opinion, and ever had that opinion, that amongst the modern languages which originally had compass enough of strength and opulence in their structure, or had received culture sufficient to qualify them plausibly for entering the arena of such a competition, the English had certain peculiar and inappreciable aptitudes for the highest offices of interpretation. Twenty-five centuries ago, this beautiful little planet on which we live might be said to have assembled and opened her first parliament for representing the grandeur of the human intellect. That particular assembly, I mean, for celebrating the Olympic Games about four centuries and a half before the era of Christ, when Herodotus opened the gates of morning for the undying career of history, by reading to the congregated children of Hellas, to the whole representative family of civilisation, that loveliest of earthly narratives, which, in nine musical cantos, unfolded the whole luxury of human romance as at the bar of some austere historic Areopagus, and, inversely again, which crowded the total abstract of human records, sealed[11] as with the seal of Delphi in the luxurious pavilions of human romance. [10] This fragment appeared in _The Instructor_ for July, 1853. The subject was not continued in any form.--H.