Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
When we had gone into many such houses, and had come out (always leaving
everybody relapsing into waiting for Jack), we started off to a
singing-house where Jack was expected to muster strong.
The vocalisation was taking place in a long low room up-stairs; at one
end, an orchestra of two performers, and a small platform; across the
room, a series of open pews for Jack, with an aisle down the middle; at
the other end a larger pew than the rest, entitled SNUG, and reserved for
mates and similar good company. About the room, some amazing
coffee-coloured pictures varnished an inch deep, and some stuffed
creatures in cases; dotted among the audience, in Snug and out of Snug,
the ‘Professionals;’ among them, the celebrated comic favourite Mr. Banjo
Bones, looking very hideous with his blackened face and limp sugar-loaf
hat; beside him, sipping rum-and-water, Mrs. Banjo Bones, in her natural
colours—a little heightened.
It was a Friday night, and Friday night was considered not a good night
for Jack. At any rate, Jack did not show in very great force even here,
though the house was one to which he much resorts, and where a good deal
of money is taken. There was British Jack, a little maudlin and sleepy,
lolling over his empty glass, as if he were trying to read his fortune at
the bottom; there was Loafing Jack of the Stars and Stripes, rather an
unpromising customer, with his long nose, lank cheek, high cheek-bones,
and nothing soft about him but his cabbage-leaf hat; there was Spanish
Jack, with curls of black hair, rings in his ears, and a knife not far
from his hand, if you got into trouble with him; there were Maltese Jack,
and Jack of Sweden, and Jack the Finn, looming through the smoke of their
pipes, and turning faces that looked as if they were carved out of dark
wood, towards the young lady dancing the hornpipe: who found the platform
so exceedingly small for it, that I had a nervous expectation of seeing
her, in the backward steps, disappear through the window. Still, if all
hands had been got together, they would not have more than half-filled
the room. Observe, however, said Mr. Licensed Victualler, the host, that
it was Friday night, and, besides, it was getting on for twelve, and Jack
had gone aboard. A sharp and watchful man, Mr. Licensed Victualler, the
host, with tight lips and a complete edition of Cocker’s arithmetic in
each eye. Attended to his business himself, he said. Always on the
spot. When he heard of talent, trusted nobody’s account of it, but went
off by rail to see it. If true talent, engaged it. Pounds a week for
talent—four pound—five pound. Banjo Bones was undoubted talent. Hear
this instrument that was going to play—it was real talent! In truth it
was very good; a kind of piano-accordion, played by a young girl of a
delicate prettiness of face, figure, and dress, that made the audience
look coarser. She sang to the instrument, too; first, a song about
Public-domain text, read in full here on John Shaqi.
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