Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
village bells, and how they chimed; then a song about how I went to sea;
winding up with an imitation of the bagpipes, which Mercantile Jack
seemed to understand much the best. A good girl, said Mr. Licensed
Victualler. Kept herself select. Sat in Snug, not listening to the
blandishments of Mates. Lived with mother. Father dead. Once a
merchant well to do, but over-speculated himself. On delicate inquiry as
to salary paid for item of talent under consideration, Mr. Victualler’s
pounds dropped suddenly to shillings—still it was a very comfortable
thing for a young person like that, you know; she only went on six times
a night, and was only required to be there from six at night to twelve.
What was more conclusive was, Mr. Victualler’s assurance that he ‘never
allowed any language, and never suffered any disturbance.’ Sharpeye
confirmed the statement, and the order that prevailed was the best proof
of it that could have been cited. So, I came to the conclusion that poor
Mercantile Jack might do (as I am afraid he does) much worse than trust
himself to Mr. Victualler, and pass his evenings here.
But we had not yet looked, Mr. Superintendent—said Trampfoot, receiving
us in the street again with military salute—for Dark Jack. True,
Trampfoot. Ring the wonderful stick, rub the wonderful lantern, and
cause the spirits of the stick and lantern to convey us to the Darkies.
There was no disappointment in the matter of Dark Jack; _he_ was
producible. The Genii set us down in the little first floor of a little
public-house, and there, in a stiflingly close atmosphere, were Dark
Jack, and Dark Jack’s delight, his _white_ unlovely Nan, sitting against
the wall all round the room. More than that: Dark Jack’s delight was the
least unlovely Nan, both morally and physically, that I saw that night.
As a fiddle and tambourine band were sitting among the company, Quickear
suggested why not strike up? ‘Ah, la’ads!’ said a negro sitting by the
door, ‘gib the jebblem a darnse. Tak’ yah pardlers, jebblem, for ’um
QUAD-rill.’
This was the landlord, in a Greek cap, and a dress half Greek and half
English. As master of the ceremonies, he called all the figures, and
occasionally addressed himself parenthetically—after this manner. When
he was very loud, I use capitals.
Public-domain text, read in full here on John Shaqi.
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